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  • =?UTF-8?Q?=22=2E=2E=2E=5BAn_opera_recording=5D__is_not_meant_to_put_the

    From gggg gggg@21:1/5 to All on Mon Jan 9 19:26:05 2023
    https://forty-five.com/papers/operas-ethics-and-elektra-a-return-to-the-recordings-of-john-culshaw

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    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Andrew Clarke@21:1/5 to gggg gggg on Wed Jan 11 04:09:22 2023
    On Tuesday, January 10, 2023 at 2:26:08 PM UTC+11, gggg gggg wrote:
    https://forty-five.com/papers/operas-ethics-and-elektra-a-return-to-the-recordings-of-john-culshaw

    Especially if it's a videorecording, on disc or streaming, giving us the theatrical dimension, and with subtitles, so we can understand what's going on.

    Then there's the historical aspect. I've just watched "The Barber" from the Met 30 years ago, with Enzo Dara and Kathleen Battle. Would Rosina be asked to sing so many embellishments - some more appropriate for Bellini and Donizetti - as Ms Battle sings
    here?

    Andrew Clarke
    Canberra

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From gggg gggg@21:1/5 to All on Wed Jan 11 09:07:41 2023
    On Monday, January 9, 2023 at 7:26:08 PM UTC-8, wrote:
    https://forty-five.com/papers/operas-ethics-and-elektra-a-return-to-the-recordings-of-john-culshaw

    According to this recent article:

    - You said that the idea was to reproduce the concert as accurately as possible—that these recordings had nothing to do with unconditional fidelity to the work...in this direct-to-disc production, the intention was to put the listener in the concert
    hall...

    https://www.stereophile.com/content/analog-corner-261-brahms-symphonies-direct-disc-berlin-philharmonic

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