On 12/17/22 3:08 PM, HT wrote:
Op zaterdag 17 december 2022 om 19:34:47 UTC+1 schreef Herman:
So thanks, Henk, I hope you had a giggle, joining in this evil campaign.
Irony is notoriously difficult to spot in a post. Since you mentioned your mother, girlfriend and Todd, I assume you really have problems with DK's posts, and mine. You're a decent guy and wouldn't have involved them otherwise.
To perhaps make the situation a little less 'evil': I don't believe you are a misogynist, racist or whatever else you are not.
What makes me grin (not giggle) sometimes, I must admit, is the fact that you can't leave DK alone. He has always been who he is and won't change - and why should he? He owes us nothing.
Henk
Henk, you are generally one of the most wise and valuable contributors
here so I hesitate to disagree, but something is owed to us - this forum itself. As was shown in the recent posting by mswd of a thread from
2010, toxic exchanges have regularly occurred at RMCR, and it has
survived. What is different now is the loss of so many key contributors
and soon this group might turn into a wasteland like rec.music.opera.
As has been noted previously, civilization will survive our demise - but something special will be lost. I recognize that as a complete amateur I
have little to contribute, but have benefited immeasurably from the
discussions here by discovering new composers, works, and performances,
as well as gaining a greater appreciation for the finer points of interpretation.
Well, here I go again! As pointed out by Todd, I have an unfortunate
habit of lecturing in a heavy-handed way. But I think I have contributed
to the group by starting threads which have induced great participation
- only to be admonished for the possible misuse of the word "effective":
"You may not be sure how effective are transcriptions, however to ask
such a
question one has to be a silly narrow
minded literalist engaging in pointless
hair splitting of performing arts".
Or when I ask folks to share their thoughts about transcriptions:
"Why do you care about people's "thoughts"?
Every person hears, listens and experiences
music differently -- such experiences cannot
be shared with others in writing".
And then in his thread we are asked:
" I am interested in hearing
how people listen and in
finding out what they like
and what they don't."
Why would people want to start threads here when they they get this sort
of reaction? And if there are no threads, at some point there is no forum!
--- SoupGate-Win32 v1.05
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