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  • Seymour Bernstein on Gould's Brahms

    From Dan Koren@21:1/5 to All on Thu Oct 20 15:31:28 2022
    https://www.youtube.com/watch?v=kOYZ4KaUlyA

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  • From HT@21:1/5 to All on Fri Oct 21 02:08:31 2022
    Op vrijdag 21 oktober 2022 om 00:31:31 UTC+2 schreef [email protected]:
    https://www.youtube.com/watch?v=kOYZ4KaUlyA

    Should I know Seymour Bernstein?

    Henk

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  • From Dan Koren@21:1/5 to [email protected] on Fri Oct 21 04:48:56 2022
    On Friday, October 21, 2022 at 2:08:33 AM UTC-7, [email protected] wrote:
    Op vrijdag 21 oktober 2022 om 00:31:31 UTC+2 schreef [email protected]:
    https://www.youtube.com/watch?v=kOYZ4KaUlyA

    Should I know Seymour Bernstein?

    Well known US pianist, composer, music teacher, etc...

    https://en.wikipedia.org/wiki/Seymour_Bernstein

    Probably less relevant on your side of the pond.

    dk

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  • From HT@21:1/5 to All on Fri Oct 21 05:11:13 2022
    Op vrijdag 21 oktober 2022 om 13:48:59 UTC+2 schreef [email protected]:
    On Friday, October 21, 2022 at 2:08:33 AM UTC-7, [email protected] wrote:
    Op vrijdag 21 oktober 2022 om 00:31:31 UTC+2 schreef [email protected]:
    https://www.youtube.com/watch?v=kOYZ4KaUlyA

    Should I know Seymour Bernstein?
    Well known US pianist, composer, music teacher, etc...

    https://en.wikipedia.org/wiki/Seymour_Bernstein

    Probably less relevant on your side of the pond.

    dk

    Thanks!

    Henk

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  • From Tatonik@21:1/5 to All on Sun Oct 23 01:39:00 2022
    I'm not sure Gould has contempt for his audience, as I think Seymour
    suggested at one point, but it's hard not to be left with the impression
    that Gould has a certain contempt for Mozart. There's a distinction to
    be made between Gould's Mozart and Gould's Brahms that I don't think was touched on in the videos. The performances of each composer may be
    equally wrongheaded, yet I can't help coming away with the feeling that
    Gould responds to Brahms in a way he is completely unable to with
    Mozart. Nevertheless, if I were on a desert island and Gould's Op. 117
    were the only one available to me, I might well decide to hang myself
    from the nearest coconut tree. And it's not easy to hang yourself from
    a coconut tree, believe me.

    In the first half of the interview, in which there was a clip of Gould demonstrating two ways to play a Mozart theme, the Webern way and the traditional way, it struck me that both interpretations were equally off-putting.

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