• Song of my Ride - June 5

    From Steve Mc@21:1/5 to All on Thu Jun 5 10:29:04 2025
    Hank Williams' first country hit reaching in 1947 rank #4 on country
    singles chart.


    https://www.youtube.com/watch?v=-Lza3NVH6Ig



    --
    Steve Mc

    DNA to SBC to respond

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  • From Jim Colegrove@21:1/5 to All on Fri Jun 6 09:07:03 2025
    On Thu, 5 Jun 2025 10:29:04 -0700, Steve Mc <[email protected]>
    wrote:


    Hank Williams' first country hit reaching in 1947 rank #4 on country
    singles chart.


    https://www.youtube.com/watch?v=-Lza3NVH6Ig

    With Zeke Turner on guitar.

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  • From Steve Mc@21:1/5 to Jim Colegrove on Fri Jun 6 08:24:53 2025
    On 6/6/2025 7:07 AM, Jim Colegrove wrote:
    On Thu, 5 Jun 2025 10:29:04 -0700, Steve Mc <[email protected]>
    wrote:

    Hank Williams' first country hit reaching in 1947 rank #4 on country
    singles chart.


    https://www.youtube.com/watch?v=-Lza3NVH6Ig
    With Zeke Turner on guitar.

    Did you ever play with him ?

    Country music guitarist and songwriter from Virginia. He performed with
    the Delmore Brothers and was responsible for adapting a riff from Lucky Millinder's recording of D'Natural Blues and playing it on the Delmores' biggest hit, "Blues Stay Away From Me." Zeke and his brother, Zeb
    Turner, were prolific studio musicians working with A-list performers
    including Hank Williams, Red Foley and Eddy Arnold.

    --
    Steve Mc

    DNA to SBC to respond

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  • From Jim Colegrove@21:1/5 to All on Fri Jun 6 11:33:55 2025
    On Fri, 6 Jun 2025 08:24:53 -0700, Steve Mc <[email protected]>
    wrote:

    On 6/6/2025 7:07 AM, Jim Colegrove wrote:
    On Thu, 5 Jun 2025 10:29:04 -0700, Steve Mc <[email protected]>
    wrote:

    Hank Williams' first country hit reaching in 1947 rank #4 on country
    singles chart.


    https://www.youtube.com/watch?v=-Lza3NVH6Ig
    With Zeke Turner on guitar.

    Did you ever play with him ?

    Country music guitarist and songwriter from Virginia. He performed with
    the Delmore Brothers and was responsible for adapting a riff from Lucky >Millinder's recording of D'Natural Blues and playing it on the Delmores' >biggest hit, "Blues Stay Away From Me." Zeke and his brother, Zeb
    Turner, were prolific studio musicians working with A-list performers >including Hank Williams, Red Foley and Eddy Arnold.

    Yes. Red and Zeke were a duo that appeared on WLWT's TV show
    "M<idwestern Hayride." Their real names were Ulysses "Red" Turner and
    James "Zeke Turner" Grishaw. Red started working with Zeke when his
    brother Lige left the act. Zeke was an influential guiarist. He played
    with the Delmore Brothers on their record of "Blues Stay Away From
    Me." He invented that muted lick on the bottom three strings of the
    guiar on a boogie riff. When Red left the business Zeke teamed up
    with Billy Holmes. Billy was the son of Salty and Mattie Holmes. Salty
    was also a member of the Western Swing band The Prairie Ramblers.
    My first band was on a show at LeSourdsville Lake around the same time
    (c. 1962?) and Zeke and Bill were on the show. Zeke asked me to back
    them up on their set so we did. They were both a loti of fun to work
    with.


    Here's a link with some photos of the TV show.
    The bottom color photo sholws Zelke and Bill in plaid shirts near the
    middle. Zeke is in front of Bill.
    The b&w photo above the color shows Zeke again in a plaid shirt, 3rd
    from the right. The guy holding the bass really looks like Red Turner
    to me.
    The accordian player is Buddy Ross. He later played with the
    Hometowners, a group that Kenny Price sang with. The guy next to him
    in the checkered shirt and stingy brim hat is Willie Thall, the driver
    (MC) of the Midwestern Hayride.
    Seated in the first row is Ernie Lee in the string tie. The guy in the
    cowboy outfit is Kenny Roberts, "The Jumping Cowboy." Known for his
    yodeling abiliities. He also had his own local TV show. Kenny and I
    got to know each other before he passed away via email exchanges.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Jim Colegrove@21:1/5 to [email protected] on Fri Jun 6 12:59:01 2025
    On Fri, 06 Jun 2025 11:33:55 -0500, Jim Colegrove
    <[email protected]> wrote:


    On Fri, 6 Jun 2025 08:24:53 -0700, Steve Mc <[email protected]>
    wrote:

    On 6/6/2025 7:07 AM, Jim Colegrove wrote:
    On Thu, 5 Jun 2025 10:29:04 -0700, Steve Mc <[email protected]>
    wrote:

    Hank Williams' first country hit reaching in 1947 rank #4 on country
    singles chart.


    https://www.youtube.com/watch?v=-Lza3NVH6Ig
    With Zeke Turner on guitar.

    Did you ever play with him ?

    Country music guitarist and songwriter from Virginia. He performed with
    the Delmore Brothers and was responsible for adapting a riff from Lucky >>Millinder's recording of D'Natural Blues and playing it on the Delmores' >>biggest hit, "Blues Stay Away From Me." Zeke and his brother, Zeb
    Turner, were prolific studio musicians working with A-list performers >>including Hank Williams, Red Foley and Eddy Arnold.

    Yes. Red and Zeke were a duo that appeared on WLWT's TV show
    "M<idwestern Hayride." Their real names were Ulysses "Red" Turner and
    James "Zeke Turner" Grishaw. Red started working with Zeke when his
    brother Lige left the act. Zeke was an influential guiarist. He played
    with the Delmore Brothers on their record of "Blues Stay Away From
    Me." He invented that muted lick on the bottom three strings of the
    guiar on a boogie riff. When Red left the business Zeke teamed up
    with Billy Holmes. Billy was the son of Salty and Mattie Holmes. Salty
    was also a member of the Western Swing band The Prairie Ramblers.
    My first band was on a show at LeSourdsville Lake around the same time
    (c. 1962?) and Zeke and Bill were on the show. Zeke asked me to back
    them up on their set so we did. They were both a loti of fun to work
    with.


    Here's a link with some photos of the TV show.
    The bottom color photo sholws Zelke and Bill in plaid shirts near the
    middle. Zeke is in front of Bill.
    The b&w photo above the color shows Zeke again in a plaid shirt, 3rd
    from the right. The guy holding the bass really looks like Red Turner
    to me.
    The accordian player is Buddy Ross. He later played with the
    Hometowners, a group that Kenny Price sang with. The guy next to him
    in the checkered shirt and stingy brim hat is Willie Thall, the driver
    (MC) of the Midwestern Hayride.
    Seated in the first row is Ernie Lee in the string tie. The guy in the
    cowboy outfit is Kenny Roberts, "The Jumping Cowboy." Known for his
    yodeling abiliities. He also had his own local TV show. Kenny and I
    got to know each other before he passed away via email exchanges.


    In doing a little digging on "D'Natural Blues" I found it is the
    oringinal recording that "The Hucklebuck" was based on that came a
    couple of months llater by Paul Williams.

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    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Bruce@21:1/5 to Jim Colegrove on Fri Jun 6 18:57:26 2025
    On Fri, 6 Jun 2025 17:59:01 +0000, Jim Colegrove wrote:


    In doing a little digging on "D'Natural Blues" I found it is the
    oringinal recording that "The Hucklebuck" was based on that came a
    couple of months later by Paul Williams.

    "The Huckle-Buck" was released in the first 2-3 weeks of 1949, and the Millinder record is aslo 1949 I think, so no way the Paul Williams coyld
    be 2 months after the Millinder unless the Millinder came out in 1948.

    "The Huckle-Buck" was based on this from 1945.

    https://www.youtube.com/watch?v=53rEdQj5sTE

    --

    --- SoupGate-Win32 v1.05
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  • From Jim Colegrove@21:1/5 to Bruce on Fri Jun 6 16:55:05 2025
    On Fri, 6 Jun 2025 18:57:26 +0000, [email protected] (Bruce) wrote:

    On Fri, 6 Jun 2025 17:59:01 +0000, Jim Colegrove wrote:


    In doing a little digging on "D'Natural Blues" I found it is the
    oringinal recording that "The Hucklebuck" was based on that came a
    couple of months later by Paul Williams.

    "The Huckle-Buck" was released in the first 2-3 weeks of 1949, and the >Millinder record is aslo 1949 I think, so no way the Paul Williams coyld
    be 2 months after the Millinder unless the Millinder came out in 1948.

    "The Huckle-Buck" was based on this from 1945.

    https://www.youtube.com/watch?v=53rEdQj5sTE



    The Parker record features the chorus section without a doubt. So,
    that is certainly a part of what became known as "The Huckebuck."

    The two mionths later can't be right. I have read that the Paul
    Wiliioams version by Paul Williams & His Hucklebuckers was on Savoy
    dated 12-15-48.
    The first recording of a song titled "The Hucklebuck" appears to be
    Paul Williams.

    Some references:

    "A very successful band leader, Millinder was one of the first to
    shift to small combos after WWII. He was a master of cultivating great
    young musicians as, over the years, his bands included Dizzy
    Gillespie, Bill Doggett, Wynonie Harris, Sister Rosetta Tharpe, Ruth
    Brown, and Eddie Lockjaw Davis even John Coltrane did a stint with
    Millinder. In 1942, Millinder's band played the Savoy ballroom on a
    double bill along with Jay McShann and his young alto player Charlie
    Parker. Then, in 1948, the Lucky Millinder band played a triple bill
    some say in Newark, some say Baltimore that included the Paul Williams Orchestra. It was there that Williams said he first heard the tune, at
    a band rehearsal. Teddy Reig heard them play it and Williams wanted to
    record it but, says Teddy Reig, songwriter Andy Gibson had already
    sold the song to Lucky Millinder as "D'Natural Blues." This,
    ultimately, was no problem, as on December 15, 1948, Paul Williams and
    his Hucklebuckers recorded the tune with a new name. Apparently, Andy
    Gibson had sold the song twice. Millinder recorded it for RCA Victor,
    confident that his version would outsell any independent label
    version. However, he was wrong and a few years later tried to sue, but
    was too late."

    https://wfmu.org/LCD/26/huck2.html

    Also:
    Williams incorporated parts of the Three Bits Of Rhythm's "This Is The
    Boogie The Woogie The Boogie" (1940, Decca 8572) and Charlie Parker's
    "Now's The Time" (1945, Savoy 573) into "The Hucklebuck." It's
    probable that Williams, and Lucky Millinder�who titled it "D'Natural Blues"�both purchased the song from writer Andy Gibson. Williams
    credited Gibson while Millinder listed himself and Henry Glover as
    writers.

    Henry Glover, who worked for King Records in the late '40s and early
    '50s, had written a song for Moms Mabley titled "Boarding House
    Blues." It appeared in the 1948 film of that title and according to
    Glover, Paul Williams got a hold of the arrangement and turned it into
    "The Hucklebuck." A dispute ensued but Glover and Williams personally
    settled it between themselves. After his involvement with Lucky
    Millinder's "D'Natural Blues," Glover again used the song's basis for
    the Delmore Brothers' "Blues Stay Away From Me" (1949, King 803). "The Hucklebuck" certainly had a complicated backstory as well as
    continuing influences.

    http://www.originalsproject.us/index.html?h

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  • From Jim Colegrove@21:1/5 to [email protected] on Sat Jun 7 10:51:43 2025
    On Fri, 06 Jun 2025 16:55:05 -0500, Jim Colegrove
    <[email protected]> wrote:

    On Fri, 6 Jun 2025 18:57:26 +0000, [email protected] (Bruce) wrote:

    On Fri, 6 Jun 2025 17:59:01 +0000, Jim Colegrove wrote:


    In doing a little digging on "D'Natural Blues" I found it is the
    oringinal recording that "The Hucklebuck" was based on that came a
    couple of months later by Paul Williams.

    "The Huckle-Buck" was released in the first 2-3 weeks of 1949, and the >>Millinder record is aslo 1949 I think, so no way the Paul Williams coyld
    be 2 months after the Millinder unless the Millinder came out in 1948.

    "The Huckle-Buck" was based on this from 1945.

    https://www.youtube.com/watch?v=53rEdQj5sTE



    The Parker record features the chorus section without a doubt. So,
    that is certainly a part of what became known as "The Huckebuck."

    The two mionths later can't be right. I have read that the Paul
    Wiliioams version by Paul Williams & His Hucklebuckers was on Savoy
    dated 12-15-48.
    The first recording of a song titled "The Hucklebuck" appears to be
    Paul Williams.

    Some references:

    "A very successful band leader, Millinder was one of the first to
    shift to small combos after WWII. He was a master of cultivating great
    young musicians as, over the years, his bands included Dizzy
    Gillespie, Bill Doggett, Wynonie Harris, Sister Rosetta Tharpe, Ruth
    Brown, and Eddie Lockjaw Davis even John Coltrane did a stint with
    Millinder. In 1942, Millinder's band played the Savoy ballroom on a
    double bill along with Jay McShann and his young alto player Charlie
    Parker. Then, in 1948, the Lucky Millinder band played a triple bill
    some say in Newark, some say Baltimore that included the Paul Williams >Orchestra. It was there that Williams said he first heard the tune, at
    a band rehearsal. Teddy Reig heard them play it and Williams wanted to
    record it but, says Teddy Reig, songwriter Andy Gibson had already
    sold the song to Lucky Millinder as "D'Natural Blues." This,
    ultimately, was no problem, as on December 15, 1948, Paul Williams and
    his Hucklebuckers recorded the tune with a new name. Apparently, Andy
    Gibson had sold the song twice. Millinder recorded it for RCA Victor, >confident that his version would outsell any independent label
    version. However, he was wrong and a few years later tried to sue, but
    was too late."

    https://wfmu.org/LCD/26/huck2.html

    Also:
    Williams incorporated parts of the Three Bits Of Rhythm's "This Is The
    Boogie The Woogie The Boogie" (1940, Decca 8572) and Charlie Parker's
    "Now's The Time" (1945, Savoy 573) into "The Hucklebuck." It's
    probable that Williams, and Lucky Millinder�who titled it "D'Natural >Blues"�both purchased the song from writer Andy Gibson. Williams
    credited Gibson while Millinder listed himself and Henry Glover as
    writers.

    Henry Glover, who worked for King Records in the late '40s and early
    '50s, had written a song for Moms Mabley titled "Boarding House
    Blues." It appeared in the 1948 film of that title and according to
    Glover, Paul Williams got a hold of the arrangement and turned it into
    "The Hucklebuck." A dispute ensued but Glover and Williams personally
    settled it between themselves. After his involvement with Lucky
    Millinder's "D'Natural Blues," Glover again used the song's basis for
    the Delmore Brothers' "Blues Stay Away From Me" (1949, King 803). "The >Hucklebuck" certainly had a complicated backstory as well as
    continuing influences.

    http://www.originalsproject.us/index.html?h



    Didn't find this on YouTube.
    Until this morning I had not heard this record before.
    Wow--a steel guitar! The verse part of "The Hucklebuck" is here.
    Click the "C. Stream/Download** Media Player..." link.


    https://vocalgroupharmony.com/ROWNEW/ThisBoog.htm

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From DianeE@21:1/5 to Jim Colegrove on Sat Jun 7 16:16:33 2025
    On 6/7/2025 11:51 AM, Jim Colegrove wrote:
    On Fri, 06 Jun 2025 16:55:05 -0500, Jim Colegrove
    <[email protected]> wrote:

    On Fri, 6 Jun 2025 18:57:26 +0000, [email protected] (Bruce) wrote:

    On Fri, 6 Jun 2025 17:59:01 +0000, Jim Colegrove wrote:


    In doing a little digging on "D'Natural Blues" I found it is the
    oringinal recording that "The Hucklebuck" was based on that came a
    couple of months later by Paul Williams.

    "The Huckle-Buck" was released in the first 2-3 weeks of 1949, and the
    Millinder record is aslo 1949 I think, so no way the Paul Williams coyld >>> be 2 months after the Millinder unless the Millinder came out in 1948.

    "The Huckle-Buck" was based on this from 1945.

    https://www.youtube.com/watch?v=53rEdQj5sTE



    The Parker record features the chorus section without a doubt. So,
    that is certainly a part of what became known as "The Huckebuck."

    The two mionths later can't be right. I have read that the Paul
    Wiliioams version by Paul Williams & His Hucklebuckers was on Savoy
    dated 12-15-48.
    The first recording of a song titled "The Hucklebuck" appears to be
    Paul Williams.

    Some references:

    "A very successful band leader, Millinder was one of the first to
    shift to small combos after WWII. He was a master of cultivating great
    young musicians as, over the years, his bands included Dizzy
    Gillespie, Bill Doggett, Wynonie Harris, Sister Rosetta Tharpe, Ruth
    Brown, and Eddie Lockjaw Davis even John Coltrane did a stint with
    Millinder. In 1942, Millinder's band played the Savoy ballroom on a
    double bill along with Jay McShann and his young alto player Charlie
    Parker. Then, in 1948, the Lucky Millinder band played a triple bill
    some say in Newark, some say Baltimore that included the Paul Williams
    Orchestra. It was there that Williams said he first heard the tune, at
    a band rehearsal. Teddy Reig heard them play it and Williams wanted to
    record it but, says Teddy Reig, songwriter Andy Gibson had already
    sold the song to Lucky Millinder as "D'Natural Blues." This,
    ultimately, was no problem, as on December 15, 1948, Paul Williams and
    his Hucklebuckers recorded the tune with a new name. Apparently, Andy
    Gibson had sold the song twice. Millinder recorded it for RCA Victor,
    confident that his version would outsell any independent label
    version. However, he was wrong and a few years later tried to sue, but
    was too late."

    https://wfmu.org/LCD/26/huck2.html

    Also:
    Williams incorporated parts of the Three Bits Of Rhythm's "This Is The
    Boogie The Woogie The Boogie" (1940, Decca 8572) and Charlie Parker's
    "Now's The Time" (1945, Savoy 573) into "The Hucklebuck." It's
    probable that Williams, and Lucky Millinder—who titled it "D'Natural
    Blues"—both purchased the song from writer Andy Gibson. Williams
    credited Gibson while Millinder listed himself and Henry Glover as
    writers.

    Henry Glover, who worked for King Records in the late '40s and early
    '50s, had written a song for Moms Mabley titled "Boarding House
    Blues." It appeared in the 1948 film of that title and according to
    Glover, Paul Williams got a hold of the arrangement and turned it into
    "The Hucklebuck." A dispute ensued but Glover and Williams personally
    settled it between themselves. After his involvement with Lucky
    Millinder's "D'Natural Blues," Glover again used the song's basis for
    the Delmore Brothers' "Blues Stay Away From Me" (1949, King 803). "The
    Hucklebuck" certainly had a complicated backstory as well as
    continuing influences.

    http://www.originalsproject.us/index.html?h



    Didn't find this on YouTube.
    Until this morning I had not heard this record before.
    Wow--a steel guitar! The verse part of "The Hucklebuck" is here.
    Click the "C. Stream/Download** Media Player..." link.


    https://vocalgroupharmony.com/ROWNEW/ThisBoog.htm
    -------------
    Thanks for this link. That was my thought too "Wow, a [pedal?] steel
    guitar." Sure is complicated, but this has to be the source of "Here's
    a dance you should know."

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Jim Colegrove@21:1/5 to [email protected] on Sat Jun 7 16:54:12 2025
    On Sat, 07 Jun 2025 16:44:28 -0500, Jim Colegrove
    <[email protected]> wrote:

    On Sat, 7 Jun 2025 16:16:33 -0400, DianeE <[email protected]> wrote:

    On 6/7/2025 11:51 AM, Jim Colegrove wrote:
    On Fri, 06 Jun 2025 16:55:05 -0500, Jim Colegrove
    <[email protected]> wrote:

    On Fri, 6 Jun 2025 18:57:26 +0000, [email protected] (Bruce) wrote:

    On Fri, 6 Jun 2025 17:59:01 +0000, Jim Colegrove wrote:


    In doing a little digging on "D'Natural Blues" I found it is the >>>>>> oringinal recording that "The Hucklebuck" was based on that came a >>>>>> couple of months later by Paul Williams.

    "The Huckle-Buck" was released in the first 2-3 weeks of 1949, and the >>>>> Millinder record is aslo 1949 I think, so no way the Paul Williams coyld >>>>> be 2 months after the Millinder unless the Millinder came out in 1948. >>>>>
    "The Huckle-Buck" was based on this from 1945.

    https://www.youtube.com/watch?v=53rEdQj5sTE



    The Parker record features the chorus section without a doubt. So,
    that is certainly a part of what became known as "The Huckebuck."

    The two mionths later can't be right. I have read that the Paul
    Wiliioams version by Paul Williams & His Hucklebuckers was on Savoy
    dated 12-15-48.
    The first recording of a song titled "The Hucklebuck" appears to be
    Paul Williams.

    Some references:

    "A very successful band leader, Millinder was one of the first to
    shift to small combos after WWII. He was a master of cultivating great >>>> young musicians as, over the years, his bands included Dizzy
    Gillespie, Bill Doggett, Wynonie Harris, Sister Rosetta Tharpe, Ruth
    Brown, and Eddie Lockjaw Davis even John Coltrane did a stint with
    Millinder. In 1942, Millinder's band played the Savoy ballroom on a
    double bill along with Jay McShann and his young alto player Charlie
    Parker. Then, in 1948, the Lucky Millinder band played a triple bill
    some say in Newark, some say Baltimore that included the Paul Williams >>>> Orchestra. It was there that Williams said he first heard the tune, at >>>> a band rehearsal. Teddy Reig heard them play it and Williams wanted to >>>> record it but, says Teddy Reig, songwriter Andy Gibson had already
    sold the song to Lucky Millinder as "D'Natural Blues." This,
    ultimately, was no problem, as on December 15, 1948, Paul Williams and >>>> his Hucklebuckers recorded the tune with a new name. Apparently, Andy
    Gibson had sold the song twice. Millinder recorded it for RCA Victor,
    confident that his version would outsell any independent label
    version. However, he was wrong and a few years later tried to sue, but >>>> was too late."

    https://wfmu.org/LCD/26/huck2.html

    Also:
    Williams incorporated parts of the Three Bits Of Rhythm's "This Is The >>>> Boogie The Woogie The Boogie" (1940, Decca 8572) and Charlie Parker's
    "Now's The Time" (1945, Savoy 573) into "The Hucklebuck." It's
    probable that Williams, and Lucky Millinder�who titled it "D'Natural
    Blues"�both purchased the song from writer Andy Gibson. Williams
    credited Gibson while Millinder listed himself and Henry Glover as
    writers.

    Henry Glover, who worked for King Records in the late '40s and early
    '50s, had written a song for Moms Mabley titled "Boarding House
    Blues." It appeared in the 1948 film of that title and according to
    Glover, Paul Williams got a hold of the arrangement and turned it into >>>> "The Hucklebuck." A dispute ensued but Glover and Williams personally
    settled it between themselves. After his involvement with Lucky
    Millinder's "D'Natural Blues," Glover again used the song's basis for
    the Delmore Brothers' "Blues Stay Away From Me" (1949, King 803). "The >>>> Hucklebuck" certainly had a complicated backstory as well as
    continuing influences.

    http://www.originalsproject.us/index.html?h



    Didn't find this on YouTube.
    Until this morning I had not heard this record before.
    Wow--a steel guitar! The verse part of "The Hucklebuck" is here.
    Click the "C. Stream/Download** Media Player..." link.


    https://vocalgroupharmony.com/ROWNEW/ThisBoog.htm
    -------------
    Thanks for this link. That was my thought too "Wow, a [pedal?] steel >>guitar." Sure is complicated, but this has to be the source of "Here's
    a dance you should know."

    I think so.

    But no pedal steels in the 1940s. Hadn't been invented yet.
    I have three steel guitars, none have pedals. Bud Isaac was the first
    to push a pedal on a steel in 1954 on Webb Pierce's recording of
    "Slowly."


    OK, Speedy West had did have a pedal on his steel in 1948 but he never
    used it the same as Bud did. Bud was the first to use it while other
    notes in the chord were still sounding. "Slowly" was a big hit and
    then it was all right for players to use a steel that sounded
    "un-hawaiian."

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Jim Colegrove@21:1/5 to DianeE on Sat Jun 7 16:44:28 2025
    On Sat, 7 Jun 2025 16:16:33 -0400, DianeE <[email protected]> wrote:

    On 6/7/2025 11:51 AM, Jim Colegrove wrote:
    On Fri, 06 Jun 2025 16:55:05 -0500, Jim Colegrove
    <[email protected]> wrote:

    On Fri, 6 Jun 2025 18:57:26 +0000, [email protected] (Bruce) wrote:

    On Fri, 6 Jun 2025 17:59:01 +0000, Jim Colegrove wrote:


    In doing a little digging on "D'Natural Blues" I found it is the
    oringinal recording that "The Hucklebuck" was based on that came a
    couple of months later by Paul Williams.

    "The Huckle-Buck" was released in the first 2-3 weeks of 1949, and the >>>> Millinder record is aslo 1949 I think, so no way the Paul Williams coyld >>>> be 2 months after the Millinder unless the Millinder came out in 1948. >>>>
    "The Huckle-Buck" was based on this from 1945.

    https://www.youtube.com/watch?v=53rEdQj5sTE



    The Parker record features the chorus section without a doubt. So,
    that is certainly a part of what became known as "The Huckebuck."

    The two mionths later can't be right. I have read that the Paul
    Wiliioams version by Paul Williams & His Hucklebuckers was on Savoy
    dated 12-15-48.
    The first recording of a song titled "The Hucklebuck" appears to be
    Paul Williams.

    Some references:

    "A very successful band leader, Millinder was one of the first to
    shift to small combos after WWII. He was a master of cultivating great
    young musicians as, over the years, his bands included Dizzy
    Gillespie, Bill Doggett, Wynonie Harris, Sister Rosetta Tharpe, Ruth
    Brown, and Eddie Lockjaw Davis even John Coltrane did a stint with
    Millinder. In 1942, Millinder's band played the Savoy ballroom on a
    double bill along with Jay McShann and his young alto player Charlie
    Parker. Then, in 1948, the Lucky Millinder band played a triple bill
    some say in Newark, some say Baltimore that included the Paul Williams
    Orchestra. It was there that Williams said he first heard the tune, at
    a band rehearsal. Teddy Reig heard them play it and Williams wanted to
    record it but, says Teddy Reig, songwriter Andy Gibson had already
    sold the song to Lucky Millinder as "D'Natural Blues." This,
    ultimately, was no problem, as on December 15, 1948, Paul Williams and
    his Hucklebuckers recorded the tune with a new name. Apparently, Andy
    Gibson had sold the song twice. Millinder recorded it for RCA Victor,
    confident that his version would outsell any independent label
    version. However, he was wrong and a few years later tried to sue, but
    was too late."

    https://wfmu.org/LCD/26/huck2.html

    Also:
    Williams incorporated parts of the Three Bits Of Rhythm's "This Is The
    Boogie The Woogie The Boogie" (1940, Decca 8572) and Charlie Parker's
    "Now's The Time" (1945, Savoy 573) into "The Hucklebuck." It's
    probable that Williams, and Lucky Millinder�who titled it "D'Natural
    Blues"�both purchased the song from writer Andy Gibson. Williams
    credited Gibson while Millinder listed himself and Henry Glover as
    writers.

    Henry Glover, who worked for King Records in the late '40s and early
    '50s, had written a song for Moms Mabley titled "Boarding House
    Blues." It appeared in the 1948 film of that title and according to
    Glover, Paul Williams got a hold of the arrangement and turned it into
    "The Hucklebuck." A dispute ensued but Glover and Williams personally
    settled it between themselves. After his involvement with Lucky
    Millinder's "D'Natural Blues," Glover again used the song's basis for
    the Delmore Brothers' "Blues Stay Away From Me" (1949, King 803). "The
    Hucklebuck" certainly had a complicated backstory as well as
    continuing influences.

    http://www.originalsproject.us/index.html?h



    Didn't find this on YouTube.
    Until this morning I had not heard this record before.
    Wow--a steel guitar! The verse part of "The Hucklebuck" is here.
    Click the "C. Stream/Download** Media Player..." link.


    https://vocalgroupharmony.com/ROWNEW/ThisBoog.htm
    -------------
    Thanks for this link. That was my thought too "Wow, a [pedal?] steel >guitar." Sure is complicated, but this has to be the source of "Here's
    a dance you should know."

    I think so.

    But no pedal steels in the 1940s. Hadn't been invented yet.
    I have three steel guitars, none have pedals. Bud Isaac was the first
    to push a pedal on a steel in 1954 on Webb Pierce's recording of
    "Slowly."

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From DianeE@21:1/5 to Jim Colegrove on Sun Jun 8 06:47:05 2025
    On 6/7/2025 5:54 PM, Jim Colegrove wrote:
    On Sat, 07 Jun 2025 16:44:28 -0500, Jim Colegrove
    <[email protected]> wrote:

    On Sat, 7 Jun 2025 16:16:33 -0400, DianeE <[email protected]> wrote:

    On 6/7/2025 11:51 AM, Jim Colegrove wrote:
    On Fri, 06 Jun 2025 16:55:05 -0500, Jim Colegrove
    <[email protected]> wrote:

    On Fri, 6 Jun 2025 18:57:26 +0000, [email protected] (Bruce) wrote:

    On Fri, 6 Jun 2025 17:59:01 +0000, Jim Colegrove wrote:


    In doing a little digging on "D'Natural Blues" I found it is the
    oringinal recording that "The Hucklebuck" was based on that came a
    couple of months later by Paul Williams.

    "The Huckle-Buck" was released in the first 2-3 weeks of 1949,
    and the
    Millinder record is aslo 1949 I think, so no way the Paul
    Williams coyld
    be 2 months after the Millinder unless the Millinder came out in
    1948.

    "The Huckle-Buck" was based on this from 1945.

    https://www.youtube.com/watch?v=53rEdQj5sTE



    The Parker record features the chorus section without a doubt. So,
    that is certainly a part of what became known as "The Huckebuck."

    The two mionths later can't be right. I have read that the Paul
    Wiliioams version by Paul Williams & His Hucklebuckers was on Savoy
    dated 12-15-48.
    The first recording of a song titled "The Hucklebuck" appears to be
    Paul Williams.

    Some references:

    "A very successful band leader, Millinder was one of the first to
    shift to small combos after WWII. He was a master of cultivating
    great
    young musicians as, over the years, his bands included Dizzy
    Gillespie, Bill Doggett, Wynonie Harris, Sister Rosetta Tharpe, Ruth
    Brown, and Eddie Lockjaw Davis even John Coltrane did a stint with
    Millinder. In 1942, Millinder's band played the Savoy ballroom on a
    double bill along with Jay McShann and his young alto player Charlie
    Parker. Then, in 1948, the Lucky Millinder band played a triple bill
    some say in Newark, some say Baltimore that included the Paul
    Williams
    Orchestra. It was there that Williams said he first heard the
    tune, at
    a band rehearsal. Teddy Reig heard them play it and Williams
    wanted to
    record it but, says Teddy Reig, songwriter Andy Gibson had already
    sold the song to Lucky Millinder as "D'Natural Blues." This,
    ultimately, was no problem, as on December 15, 1948, Paul
    Williams and
    his Hucklebuckers recorded the tune with a new name. Apparently, Andy
    Gibson had sold the song twice. Millinder recorded it for RCA Victor,
    confident that his version would outsell any independent label
    version. However, he was wrong and a few years later tried to
    sue, but
    was too late."

    https://wfmu.org/LCD/26/huck2.html

    Also:
    Williams incorporated parts of the Three Bits Of Rhythm's "This
    Is The
    Boogie The Woogie The Boogie" (1940, Decca 8572) and Charlie Parker's
    "Now's The Time" (1945, Savoy 573) into "The Hucklebuck." It's
    probable that Williams, and Lucky Millinder—who titled it "D'Natural
    Blues"—both purchased the song from writer Andy Gibson. Williams
    credited Gibson while Millinder listed himself and Henry Glover as
    writers.

    Henry Glover, who worked for King Records in the late '40s and early
    '50s, had written a song for Moms Mabley titled "Boarding House
    Blues." It appeared in the 1948 film of that title and according to
    Glover, Paul Williams got a hold of the arrangement and turned it
    into
    "The Hucklebuck." A dispute ensued but Glover and Williams personally
    settled it between themselves. After his involvement with Lucky
    Millinder's "D'Natural Blues," Glover again used the song's basis for
    the Delmore Brothers' "Blues Stay Away From Me" (1949, King 803).
    "The
    Hucklebuck" certainly had a complicated backstory as well as
    continuing influences.

    http://www.originalsproject.us/index.html?h


    Didn't find this on YouTube.
    Until this morning I had not heard this record before.
    Wow--a steel guitar! The verse part of "The Hucklebuck" is here.
    Click the "C. Stream/Download** Media Player..." link.


    https://vocalgroupharmony.com/ROWNEW/ThisBoog.htm
    -------------
    Thanks for this link. That was my thought too "Wow, a [pedal?] steel
    guitar." Sure is complicated, but this has to be the source of "Here's
    a dance you should know."

    I think so.

    But no pedal steels in the 1940s. Hadn't been invented yet.
    I have three steel guitars, none have pedals. Bud Isaac was the first
    to push a pedal on a steel in 1954 on Webb Pierce's recording of
    "Slowly."


    OK, Speedy West had did have a pedal on his steel in 1948 but he never
    used it the same as Bud did. Bud was the first to use it while other
    notes in the chord were still sounding. "Slowly" was a big hit and
    then it was all right for players to use a steel that sounded
    "un-hawaiian."
    ----------
    I listened to "Slowly," which I'd never heard before. Nice record. (I
    never heard *any* country music growing up in NYC, except for the big
    crossover hits like "I Walk The Line.") I can only imagine the impact
    it would have had in 1954 on people hearing that intro for the first
    time. Also the combination of pedal steel and fiddle, which has always
    had a very delightful effect on me.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)