• MY FAVE TOP 20 BY A VOCAL GROUP.......1950

    From Roger@21:1/5 to All on Mon Oct 28 09:18:28 2024
    MY FAVE 20 RECORDS BY A VOCAL GROUP

    TODAY........FROM 1950

    1. DO SOMETHING FOR ME- THE DOMINOES https://www.youtube.com/watch?v=5VsXDN8GbiM

    From December 1950 comes the debut of the famous Dominoes vocal group
    (and the debut of the new King label subsidiary Federal Records)---and
    also the debut on record of one Clyde McPhatter here singing lead on
    this memorable ballad. The record sold well enough to reach #6 on the BB
    r&b chart. And as if that wasn’t a great start of starts on the flipside could be found…….

    2. CHICKEN BLUES – THE DOMINOES
    https://www.youtube.com/watch?v=xALt39HvU3I

    Yep,flip the record above over and ……voila! We have Mr Bill Brown doing lead honors here on the rocking classic “Chicken Blues” which apparently sold pretty well in its own right but without actually charting. A
    perfect start for the Federal label!

    3. LEMON SQUEEZER – THE FOUR BARONS https://www.youtube.com/watch?v=TWhjTe9VRuY

    Hugely salacious number here performed by one Allen Bunn and a few other
    guys who will soon go on to form the backbone of one of the most
    respected of 1950’s r&b vocal groups—The Larks. Hooking up with Grandpa Herman’s Savoy outfit in Newark NJ the memorable “Lemon Squeezer” appeared on their subsid Regent label. What are the ladies’ “lemons” referred to? Little yellow fruit of course! What on earth did you
    think?

    4. YOU’RE FINE BUT NOT MY KIND – THE ROBINS https://www.youtube.com/watch?v=VOPrTMEnE-E

    Recorded February 13 1950 with a superb Bobby Nunn lead the rockin’ “You’re Fine But Not My Kind” became the latest Robins record when it
    was finally released (as the flipside to “I’m Through – see entry below”) on Savoy in that September.Hmmm...that YT poster seems kinda familiar….now who was he??

    5. COUNT EVERY STAR – THE RAVENS
    https://www.youtube.com/watch?v=KQB5wHk614s

    Here’s the version of the oft-recorded “Count Every Star” on National label (originally by Ray Anthony & His Orchestra earlier in this year)
    most likely to be quoted by r&b fans and collectors as their favorite
    version (tho my fave version remains that of the later Rockers on Carter
    label in 1959 – see the earlier 1959 entry in this series for details)

    6. I’M THROUGH – THE ROBINS
    https://www.youtube.com/watch?v=kemEBbPkZfo **

    The topside (as released) of the #4 record listed above by The Robins
    again features a great lead from Bobby Nunn on a cool slower ballad with
    fine support from the rest of the group. Recorded at the same session as “You’re Fine….” too and obviously the same release details

    **I see several posts of this on YT but all with really low view figures (indicating possible non-appearance on US screens). Let me know if such
    is the case

    7. GOT TO GO BACK AGAIN – THE FOUR BARONS https://www.youtube.com/watch?v=gxSPvNAleSA

    The flipside of the notorious “Lemon Squeezer” (see #3 above) and again
    on Savoy’s subsid label Regent. Amazingly the Four Barons (the future
    Larks) in an attempt to get a recording contract recorded FOUR sessions
    on ONE day in 1950---a session each for FOUR different
    companies---before Bess Berman at Apollo gave them a proper record deal

    8. TURKEY HOP-PART 1 – JOHNNY OTIS/THE ROBINS https://www.youtube.com/watch?v=ZUMIrUgDR4s

    From February 1950 and also on Savoy this precedes The Robins record
    already mentioned above and was recorded January 11 1950. This was an
    excellent seller and whilst it didn’t make the Billboard chart it did
    feature in several Cash Box regional charts so indicating its popularity
    across the country

    9. I WILL WAIT – THE FOUR BUDS
    https://www.youtube.com/watch?v=x13803yVSGw

    First issued as by “The Four Buds” this was the group better known as “The Four Buddies” nd very soon billed that way on their records. Which,like this one appeared on the Savoylabel (and NO I AM NOT being
    paid by the Herman Lubinsky estate to include all these Savoy and Regent records 😊). Lead Larry Harrison excels here. Charted at #2 on the
    Billboard r&b chart (and yes they were “The Four Buddies” by then on
    later pressings)

    10. I DON’T HAVE TO RIDE NO MORE – THE RAVENS https://www.youtube.com/watch?v=BmzHPdP5daw

    Their record on National just before “Count Every Star” (see #5 above)
    with a fabulous lead courtesy Jimmy Ricks and definitely one of the best
    things The Ravens ever put out. Unlike “Count Every Star” (which
    amazingly missed the BB chart entirely) this rocking effort charted and
    reached #9 on their r&b chart

    11. BROWN BOY – AL SEARS & THE SPARROWS https://www.youtube.com/watch?v=HClx-fISxUk

    The soon to be “Big” Al Sears here with The Sparrows group and lead Clarence Palmer on a song with quite a history---originally done in 1936
    by Lil Hardin Armstrong (Satchmo’s wife) and again in 1938 by The Ink
    Spots on Decca---and which has quite a future too since it will appear
    in versions by Clarence Palmer & The Jive Bombers on Citation label in
    1952 then again in late 1956 on Savoy (what else?) as “Little Brown Boy” before settling down in December 1956 as the retitled “Bad Boy” it’s
    most famous title and its most most famous version

    12. COOL WATER – THE FOUR TUNES
    https://www.youtube.com/watch?v=pWkknrAeLSI

    One of those songs I like in several versions. Originally by Bob &
    Randall Atcher and Bonnie Blue Eyes in 1940 then the famous Sons Of The Pioneers version (1941),Red River Dave (1946) Tex Ritter & The Dinning
    Sisters (1948) and Vaughn Monroe (1948) Even the Frankie Laine 1955
    version I find passable. But the Four Tunes with their bluesy version
    for RCA in 1950 really score on this one hence their inclusion here

    13. I NEED YOU SO – THE ORIOLES
    https://www.youtube.com/watch?v=i6mmotu08GY

    Released in September 1950 came The Orioles version of “I Need You So”
    on Jubilee originally by Ivory Joe Hunter earlier in the year. As well
    as The Orioles the song was also released in this year by both Dons
    Cornell and Cherry in pop versions. And of course later came the most
    famous version by Elvis in 1957.

    14. YOUNG GIRL – THE FLAMES
    https://www.youtube.com/watch?v=emjoxgZwLTw

    This is the group that--after an unbelievable amount of twists and turns
    and myriad changes in personnel---will eventually emerge as The
    Hollywood Flames of “Buzz Buzz Buzz” fame. But that scenario is light
    years away yet at this point in 1950 as The Flames release “Young Girl” with David Ford lead on John Blackburn’s Selective label.

    15. IS MY HEART WASTING TIME – THE ORIOLES https://www.youtube.com/watch?v=zoECX_o2Tnc

    Sonny Til leads the boys on a fine love ballad performance here recorded
    in 1949 and released in January 1950 as usual on the Jubilee label. It
    appeared as the flip side of the (mis-titled) “Would You Still Be The
    One In My Heart”. This was one of the first Orioles songs I ever
    encountered so I guess it has something of a special place with me

    16. I WONDER WHEN – THE ORIOLES
    https://www.youtube.com/watch?v=E_VAh9jSM0g

    Another beautiful ballad from The Orioles with a silky smooth Sonny Til
    lead backed by the Sid Bass Orchestra and recorded for Jubilee February
    17 1950 in one of the first sessions to utilize the violin to back a
    vocal group recognized in the r&b idiom. It’s nice to see Billboard
    agreed with me in their review calling it “one of their top
    performances”

    17. FOUND ME A SUGAR DADDY – THE NIC-NAC’S https://www.youtube.com/watch?v=aDnBxq70uuM

    Johnny Otis and Little Esther really started something with their huge “Double Crossing Blues” hit with the Robins returning here in their
    secret identity as mild mannered group The Nic-Nacs to do a pretty good
    re-run of the whole shebang with lovely Mickey Champion in the Esther
    role and recorded for the Bihari Brothers out West and their RPM label

    18. I’M SO CRAZY FOR LOVE – THE CAP-TANS https://www.youtube.com/watch?v=lXFsNRR_73g

    In a deal that benefited the poorly managed Cap-Tans group led by
    Sherman Buckner not one jot their fine “I’m So Crazy For Love” was
    farmed out to the (then) fledgling Dot label owned and operated by Randy
    Wood in Gallatin,Tennessee. Tho the group never saw much money from
    the deal the record certainly sold well enough locally for the much
    better known Ravens group to cover the song for Columbia

    19. TROUBLE IN MY HOME – THE BLUES ROCKERS https://www.youtube.com/watch?v=x76kfEpDNsw

    Led by James Watts this ensemble (that also featured one Willie Mabon in
    its ranks) recorded the somewhat raucous (for the time)--but compelling “Trouble In My Home” for deejay Al Benson who by convoluted means farmed
    it out to the fledgling Aristocrat label in Chicago (soon to undergo a
    name change to….Chess Records). There is some dispute as to whether this
    is a 1950 record or a late 1949 one. I have it as early January 1950
    (reviewed in BB last week in January)

    20. AT NIGHT – THE ORIOLES
    https://www.youtube.com/watch?v=JxNPKMgKfXs

    Another time favorite IMO is the beautiful “At Night”. And it comes from that very first Orioles session in July 1948 that produced “It’s Too
    Soon To Know” and “Barbara Lee”.It was March 1950 before it saw light of release on Jubilee but it got a big welcome when it did arrive.Billboard reviewed it thusly - “chalk up another hit for the high flying group.
    Tune is standout. Group delivers one of their best jobs yet”

    BUBBLING UNDER

    21. O HOLY NIGHT – THE ORIOLES
    22. GET WISE BABY – THE RAVENS
    23. COOL SATURDAY NIGHT – THE STRIDERS
    24. CRAZY ABOUT MY HONEY DIP – THE CAP-TANS
    25. MR BLUES – THE MASTERKEYS

    --- SoupGate-Win32 v1.05
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  • From RWC@21:1/5 to All on Mon Oct 28 16:05:59 2024
    On Mon, 28 Oct 2024 09:18:28 +0000, [email protected] (Roger)
    wrote:

    MY FAVE 20 RECORDS BY A VOCAL GROUP

    TODAY........FROM 1950

    Playlist (20 tracks): https://www.youtube.com/watch_videos?video_ids=5VsXDN8GbiM,xALt39HvU3I,TWhjTe9VRuY,VOPrTMEnE-E,KQB5wHk614s,4O2odDGvnw0,gxSPvNAleSA,ZUMIrUgDR4s,x13803yVSGw,BmzHPdP5daw,HClx-fISxUk,pWkknrAeLSI,i6mmotu08GY,emjoxgZwLTw,zoECX_o2Tnc,E_VAh9jSM0g,aDnBxq70uuM,
    lXFsNRR_73g,x76kfEpDNsw,JxNPKMgKfXs,

    (I did have to find a US link for #6, as Roger half expected)

    an enjoyable and moving playlist, Roger, thanks

    1. DO SOMETHING FOR ME- THE DOMINOES
    2. CHICKEN BLUES � THE DOMINOES
    3. LEMON SQUEEZER � THE FOUR BARONS
    4. YOU�RE FINE BUT NOT MY KIND � THE ROBINS
    5. COUNT EVERY STAR � THE RAVENS
    6. I�M THROUGH � THE ROBINS
    7. GOT TO GO BACK AGAIN � THE FOUR BARONS
    8. TURKEY HOP-PART 1 � JOHNNY OTIS/THE ROBINS
    9. I WILL WAIT � THE FOUR BUDS
    10. I DON�T HAVE TO RIDE NO MORE � THE RAVENS
    11. BROWN BOY � AL SEARS & THE SPARROWS
    12. COOL WATER � THE FOUR TUNES
    13. I NEED YOU SO � THE ORIOLES
    14. YOUNG GIRL � THE FLAMES
    15. IS MY HEART WASTING TIME � THE ORIOLES
    16. I WONDER WHEN � THE ORIOLES
    17. FOUND ME A SUGAR DADDY � THE NIC-NAC�S
    18. I�M SO CRAZY FOR LOVE � THE CAP-TANS
    19. TROUBLE IN MY HOME � THE BLUES ROCKERS
    20. AT NIGHT � THE ORIOLES

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  • From Bruce@21:1/5 to All on Mon Oct 28 23:26:26 2024
    Here is what I have.

    1 ¦ Cool Water ¦ Four Tunes
    I love this even more than Roger does.

    2 ¦ Rock Mr. Blues ¦ Wynonie Harris
    Some say the Dominoes are the group on this, but I don't think so. It
    seems to have been recorded a little before Billy Ward formed the group
    and started to rehearse them.

    3 ¦ Double Crossing Blues ¦ Little Esther & Robins
    4 ¦ Chicken Blues ¦ Dominoes
    5 ¦ Do Something For Me ¦ Dominoes
    6 ¦ I'm Through ¦ Robins
    7 ¦ Turkey Hop ¦ Robins
    8 ¦ There's No Use Begging ¦ Robins
    9 ¦ Mr. Blues ¦ Masterkeys
    10 ¦ Count Every Star ¦ Ravens
    11 ¦ Lover's Lane Boogie ¦ Little Esther & Robins
    12 ¦ Is My Heart Wasting Time ¦ Orioles
    13 ¦ My Baby's Gone ¦ Ravens
    14 ¦ Brown Boy ¦ Big Al Sears (Sparrows)
    15 ¦ Lemon Squeezer ¦ Four Barons
    16 ¦ Oh Holy Night ¦ Orioles
    17 ¦ Got To Go Back Again ¦ Four Barons
    18 ¦ You're Fine But Not My Kind ¦ Robins
    19 ¦ Every Dog Gone Time ¦ Orioles
    20 ¦ Private Property Blues ¦ Don Q & His Q Tones
    21 ¦ Our Romance is Gone ¦ Robins
    22 ¦ At Night ¦ Orioles
    23 ¦ When You Come Back To Me ¦ Clovers
    24 ¦ Gonna Have A Merry X-Mas ¦ Nic Nacs
    25 ¦ I'm Living O.K. ¦ Robins
    26 ¦ Down On My Knees ¦ Swan Silvertones
    27 ¦ I'm So Crazy For Love ¦ Cap-Tans
    28 ¦ Down Here I've Done My Best (I Want To Go To Heaven And Rest) ¦
    Selah Singers

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  • From DianeE@21:1/5 to Bruce on Mon Oct 28 20:25:30 2024
    On 10/28/2024 7:26 PM, Bruce wrote:
    Here is what I have.

    1 ¦ Cool Water ¦ Four Tunes
    I love this even more than Roger does.
    -------------
    And I detest it. I detest that song by *everyone*.

    (I drink a lot of water, so it's not that.)

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  • From Bruce@21:1/5 to DianeE on Tue Oct 29 00:32:15 2024
    On Tue, 29 Oct 2024 0:25:30 +0000, DianeE wrote:

    On 10/28/2024 7:26 PM, Bruce wrote:
    Here is what I have.

    1 ¦ Cool Water ¦ Four Tunes
    I love this even more than Roger does.
    -------------
    And I detest it. I detest that song by *everyone*.

    (I drink a lot of water, so it's not that.)

    Ah, but you like it to be room temperature rather than cool!

    --- SoupGate-Win32 v1.05
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  • From Roger@21:1/5 to Bruce on Tue Oct 29 07:07:52 2024
    On Mon, 28 Oct 2024 23:26:26 +0000, Bruce wrote:

    Here is what I have.

    1 ¦ Cool Water ¦ Four Tunes
    I love this even more than Roger does.

    #101 and 8

    2 ¦ Rock Mr. Blues ¦ Wynonie Harris
    Some say the Dominoes are the group on this, but I don't think so. It
    seems to have been recorded a little before Billy Ward formed the
    group and started to rehearse them.

    Again it's Wynonie with a group backing him in similar fashion to an
    Elvis record with the Jordanaires backing him. I don't consider these
    things as bona fide vocal group records per se any more than I'd
    consider Perry Como with some group on "Hot Diggity" is a vocal group
    record and I'd be surprised if you do

    4 ¦ Chicken Blues ¦ Dominoes
    #20 -9
    5 ¦ Do Something For Me ¦ Dominoes
    #8 - 10
    6 ¦ I'm Through ¦ Robins
    #60 - 8
    7 ¦ Turkey Hop ¦ Robins
    #65 - 8
    8 ¦ There's No Use Begging ¦ Robins
    #198 - 7
    9 ¦ Mr. Blues ¦ Masterkeys
    #171 - 7
    10 ¦ Count Every Star ¦ Ravens
    #59 - 8
    12 ¦ Is My Heart Wasting Time ¦ Orioles
    #133 - 7
    13 ¦ My Baby's Gone ¦ Ravens
    #195 - 7
    14 ¦ Brown Boy ¦ Big Al Sears (Sparrows)
    #99 - 8
    15 ¦ Lemon Squeezer ¦ Four Barons
    #30 - 9
    16 ¦ Oh Holy Night ¦ Orioles
    #165 - 7
    17 ¦ Got To Go Back Again ¦ Four Barons
    #64 - 8
    18 ¦ You're Fine But Not My Kind ¦ Robins
    #53 - 8
    19 ¦ Every Dog Gone Time ¦ Orioles
    #180 - 7
    20 ¦ Private Property Blues ¦ Don Q & His Q Tones
    #284 - 7
    21 ¦ Our Romance is Gone ¦ Robins
    #271 - 7
    22 ¦ At Night ¦ Orioles
    #180 - 7
    23 ¦ When You Come Back To Me ¦ Clovers
    #176 - 7
    24 ¦ Gonna Have A Merry X-Mas ¦ Nic Nacs
    #252 - 7
    25 ¦ I'm Living O.K. ¦ Robins
    #240 - 7
    26 ¦ Down On My Knees ¦ Swan Silvertones
    #196 - 7
    27 ¦ I'm So Crazy For Love ¦ Cap-Tans
    #147 - 7
    28 ¦ Down Here I've Done My Best (I Want To Go To Heaven And Rest) ¦
    Selah Singers

    Did not know this one. Undoubtedly at least a 7 I'll be adding it
    thanks!

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  • From Bruce@21:1/5 to Roger on Tue Oct 29 07:22:19 2024
    On Tue, 29 Oct 2024 7:07:52 +0000, Roger wrote:

    Again it's Wynonie with a group backing him in similar fashion to an
    Elvis record with the Jordanaires backing him. I don't consider these
    things as bona fide vocal group records per se any more than I'd
    consider Perry Como with some group on "Hot Diggity" is a vocal group
    record and I'd be surprised if you do.

    On "Hot Diggity" it's the Ray Charles Singers and they only sing along
    with Perry on the chorus, but yes, it is a vocal group record. Just not
    a good one.

    On this one below, despite the fact that it's the Dells, who sound
    great, they are not on enough of the record for me to classify it as a
    vocal group record.

    https://www.youtube.com/watch?v=NhFX4efZ-7s

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  • From Roger@21:1/5 to Bruce on Tue Oct 29 07:39:22 2024
    On Tue, 29 Oct 2024 7:22:19 +0000, Bruce wrote:

    On Tue, 29 Oct 2024 7:07:52 +0000, Roger wrote:

    Again it's Wynonie with a group backing him in similar fashion to an
    Elvis record with the Jordanaires backing him. I don't consider these
    things as bona fide vocal group records per se any more than I'd
    consider Perry Como with some group on "Hot Diggity" is a vocal group
    record and I'd be surprised if you do.

    On "Hot Diggity" it's the Ray Charles Singers and they only sing along
    with Perry on the chorus, but yes, it is a vocal group record. Just not
    a good one.

    On this one below, despite the fact that it's the Dells, who sound
    great, they are not on enough of the record for me to classify it as a
    vocal group record.

    https://www.youtube.com/watch?v=NhFX4efZ-7s

    The Dells are backing Barbara Lewis on her glorious "Hello Stranger" too
    nut again its not a vocal group record to me. Do you say it is?

    --- SoupGate-Win32 v1.05
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  • From Bruce@21:1/5 to Roger on Tue Oct 29 15:08:58 2024
    On Tue, 29 Oct 2024 7:39:22 +0000, Roger wrote:

    On Tue, 29 Oct 2024 7:22:19 +0000, Bruce wrote:

    On Tue, 29 Oct 2024 7:07:52 +0000, Roger wrote:

    Again it's Wynonie with a group backing him in similar fashion to an
    Elvis record with the Jordanaires backing him. I don't consider these
    things as bona fide vocal group records per se any more than I'd
    consider Perry Como with some group on "Hot Diggity" is a vocal group
    record and I'd be surprised if you do.

    On "Hot Diggity" it's the Ray Charles Singers and they only sing along
    with Perry on the chorus, but yes, it is a vocal group record. Just not
    a good one.

    On this one below, despite the fact that it's the Dells, who sound
    great, they are not on enough of the record for me to classify it as a
    vocal group record.

    https://www.youtube.com/watch?v=NhFX4efZ-7s

    The Dells are backing Barbara Lewis on her glorious "Hello Stranger" too
    nut again its not a vocal group record to me. Do you say it is?

    Absolutely. I listed it in your 1963 thread.

    Do you not consider "The Deacon Moves In" to be a vocal group record?

    What about when the record is by 2 vocal groups together such as "I'm
    Gonna Make You Love Me" by the Supremes and Temptations?

    How about "The Came You" by Dionne Warwick and the Spinners?

    How about "I Know, I Know" by Pookie Hudson and the Imperials?

    --- SoupGate-Win32 v1.05
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  • From Bruce@21:1/5 to Roger on Tue Oct 29 20:55:38 2024
    On Tue, 29 Oct 2024 20:27:03 +0000, Roger wrote:

    On Tue, 29 Oct 2024 15:08:58 +0000, Bruce wrote:

    On Tue, 29 Oct 2024 7:39:22 +0000, Roger wrote:

    On Tue, 29 Oct 2024 7:22:19 +0000, Bruce wrote:

    On Tue, 29 Oct 2024 7:07:52 +0000, Roger wrote:

    Again it's Wynonie with a group backing him in similar fashion to an >>>>> Elvis record with the Jordanaires backing him. I don't consider these >>>>> things as bona fide vocal group records per se any more than I'd
    consider Perry Como with some group on "Hot Diggity" is a vocal group >>>>> record and I'd be surprised if you do.

    On "Hot Diggity" it's the Ray Charles Singers and they only sing along >>>> with Perry on the chorus, but yes, it is a vocal group record. Just
    not a good one.

    OK I'm surprised. It's a Perry Como record with (like others) some vocal group backing


    On this one below, despite the fact that it's the Dells, who sound
    great, they are not on enough of the record for me to classify it as
    vocal group record.

    https://www.youtube.com/watch?v=NhFX4efZ-7s

    I wouldn't either but it's like the Como anyway--main artist with a
    vocal group backing

    The Dells are backing Barbara Lewis on her glorious "Hello Stranger" too >>> but again its not a vocal group record to me. Do you say it is?

    Absolutely. I listed it in your 1963 thread.

    Same sort of case as the Como.Main artist record just with a group in
    the background like countless other records

    Do you not consider "The Deacon Moves In" to be a vocal group record?

    Yeah it bothers me a little but like the Barbara Lewis the group is not
    named or credited. Yet if I had to make a Dominoes discography it should
    at least be mentioned (as should the Barbara record in a Dells
    discography).

    What about when the record is by 2 vocal groups together such as "I'm
    Gonna Make You Love Me" by the Supremes and Temptations?

    No problem with that and they're equally billed anyway

    How about "The Came You" by Dionne Warwick and the Spinners?

    I think both get equal billing there as well don't they?

    How about "I Know, I Know" by Pookie Hudson and the Imperials?

    He wasn't as famous but otherwise same situation as the Como record

    So what you are saying is that what the recording sounds like has no
    bearing on anything. The only thing that seems to matter to you comes
    from how business is being done by the record label. However they decide
    to list the artist(s) on the label is the sole determining factor in
    whether something is a vocal group record or not.

    To me there is a difference between a "vocal group record" and a record
    that is "by a vocal group."

    Anything with a vocal group singing for a major portion of any record is
    a vocal group record in my book. Your definition of a "vocal group
    record" seems to be the same thing as a record that is "by a vocal
    group." I see them as 2 different things that are not mutually
    exclusive. Like all dogs are mammals, but not all mammals are dogs.

    In this case, all records by a vocal group are also vocal group records,
    but to me there are lots of vocal group records that are not "by" vocal
    groups.

    To me the determining factor is what I hear on the record. To you the determining factor is based instead on business factors.

    So if I was to play you a recording you never heard before that featured
    group harmony you would not be able to classify it as a "vocal group
    record" until you knew who was singing and what it says on the record
    label. Whereas I would only have to hear the recording to make that determination.

    It strikes me as very silly to not base its classification solely on
    what the recording sounds like.

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  • From Roger@21:1/5 to Bruce on Tue Oct 29 20:27:03 2024
    On Tue, 29 Oct 2024 15:08:58 +0000, Bruce wrote:

    On Tue, 29 Oct 2024 7:39:22 +0000, Roger wrote:

    On Tue, 29 Oct 2024 7:22:19 +0000, Bruce wrote:

    On Tue, 29 Oct 2024 7:07:52 +0000, Roger wrote:

    Again it's Wynonie with a group backing him in similar fashion to an
    Elvis record with the Jordanaires backing him. I don't consider these
    things as bona fide vocal group records per se any more than I'd
    consider Perry Como with some group on "Hot Diggity" is a vocal group
    record and I'd be surprised if you do.

    On "Hot Diggity" it's the Ray Charles Singers and they only sing along
    with Perry on the chorus, but yes, it is a vocal group record. Just
    not a good one.

    OK I'm surprised. It's a Perry Como record with (like others) some vocal
    group backing


    On this one below, despite the fact that it's the Dells, who sound
    great, they are not on enough of the record for me to classify it as
    vocal group record.

    https://www.youtube.com/watch?v=NhFX4efZ-7s

    I wouldn't either but it's like the Como anyway--main artist with a
    vocal group backing

    The Dells are backing Barbara Lewis on her glorious "Hello Stranger" too
    but again its not a vocal group record to me. Do you say it is?

    Absolutely. I listed it in your 1963 thread.

    Same sort of case as the Como.Main artist record just with a group in
    the background like countless other records

    Do you not consider "The Deacon Moves In" to be a vocal group record?

    Yeah it bothers me a little but like the Barbara Lewis the group is not
    named or credited. Yet if I had to make a Dominoes discography it should
    at least be mentioned (as should the Barbara record in a Dells
    discography).

    What about when the record is by 2 vocal groups together such as "I'm
    Gonna Make You Love Me" by the Supremes and Temptations?

    No problem with that and they're equally billed anyway

    How about "The Came You" by Dionne Warwick and the Spinners?

    I think both get equal billing there as well don't they?

    How about "I Know, I Know" by Pookie Hudson and the Imperials?

    He wasn't as famous but otherwise same situation as the Como record

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  • From Roger@21:1/5 to Bruce on Tue Oct 29 21:31:24 2024
    On Tue, 29 Oct 2024 20:55:38 +0000, Bruce wrote:

    On Tue, 29 Oct 2024 20:27:03 +0000, Roger wrote:

    On Tue, 29 Oct 2024 15:08:58 +0000, Bruce wrote:

    On Tue, 29 Oct 2024 7:39:22 +0000, Roger wrote:

    On Tue, 29 Oct 2024 7:22:19 +0000, Bruce wrote:

    On Tue, 29 Oct 2024 7:07:52 +0000, Roger wrote:

    Again it's Wynonie with a group backing him in similar fashion to an >>>>>> Elvis record with the Jordanaires backing him. I don't consider these >>>>>> things as bona fide vocal group records per se any more than I'd
    consider Perry Como with some group on "Hot Diggity" is a vocal group >>>>>> record and I'd be surprised if you do.

    On "Hot Diggity" it's the Ray Charles Singers and they only sing along >>>>> with Perry on the chorus, but yes, it is a vocal group record. Just
    not a good one.

    OK I'm surprised. It's a Perry Como record with (like others) some vocal
    group backing


    On this one below, despite the fact that it's the Dells, who sound
    great, they are not on enough of the record for me to classify it as >>>>> vocal group record.

    https://www.youtube.com/watch?v=NhFX4efZ-7s

    I wouldn't either but it's like the Como anyway--main artist with a
    vocal group backing

    The Dells are backing Barbara Lewis on her glorious "Hello Stranger" too >>>> but again its not a vocal group record to me. Do you say it is?

    Absolutely. I listed it in your 1963 thread.

    Same sort of case as the Como.Main artist record just with a group in
    the background like countless other records

    Do you not consider "The Deacon Moves In" to be a vocal group record?

    Yeah it bothers me a little but like the Barbara Lewis the group is not
    named or credited. Yet if I had to make a Dominoes discography it should
    at least be mentioned (as should the Barbara record in a Dells
    discography).

    What about when the record is by 2 vocal groups together such as "I'm
    Gonna Make You Love Me" by the Supremes and Temptations?

    No problem with that and they're equally billed anyway

    How about "The Came You" by Dionne Warwick and the Spinners?

    I think both get equal billing there as well don't they?

    How about "I Know, I Know" by Pookie Hudson and the Imperials?

    He wasn't as famous but otherwise same situation as the Como record

    So what you are saying is that what the recording sounds like has no
    bearing on anything. The only thing that seems to matter to you comes
    from how business is being done by the record label. However they decide
    to list the artist(s) on the label is the sole determining factor in
    whether something is a vocal group record or not.

    How the record is presented is important but not the determining
    factor---like many Elvis singles are credited to "Elvis with The
    Jordanaires".
    But they aren't vocal group records to me.

    They are Elvis records with vocal group accompaniment

    To me there is a difference between a "vocal group record" and a record
    that is "by a vocal group."

    Anything with a vocal group singing for a major portion of any record
    is a vocal group record in my book. Your definition of a "vocal group
    record" seems to be the same thing as a record that is "by a vocal
    group." I see them as 2 different things that are not mutually
    exclusive. Like all dogs are mammals, but not all mammals are dogs.

    We just have differing interpretations

    In this case, all records by a vocal group are also vocal group
    records,but to me there are lots of vocal group records that are not
    "by" vocal groups.

    Here we part company for reasons already outlined several times

    To me the determining factor is what I hear on the record. To you the determining factor is based instead on business factors.

    What is says on the label is certainly important but tons of records are
    merely main artists with a group (sometimes named sometimes not) backing
    them. These very usually AREN'T classable as vocal group records to me

    So if I was to play you a recording you never heard before that featured group harmony you would not be able to classify it as a "vocal group
    record" until you knew who was singing and what it says on the record
    label. Whereas I would only have to hear the recording to make that determination.

    In the case of something I never heard before and/or knew nothing about otherwise I'd also make the same kind of determination (subject to
    change if and when I have fuller info)

    It strikes me as very silly to not base its classification solely on
    what the recording sounds like.

    It's okay until lack of full info leads to the pronouncing something
    like Gene Pitney's "(I'm Gonna) Love My Life Away" as a vocal group
    record

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  • From Bruce@21:1/5 to Roger on Tue Oct 29 23:33:46 2024
    On Tue, 29 Oct 2024 21:31:24 +0000, Roger wrote:

    It's okay until lack of full info leads to the pronouncing something
    like Gene Pitney's "(I'm Gonna) Love My Life Away" as a vocal group
    record.

    But for you it depends what that full info says. If that record had been released with the artist being "The Pitneys," you would then say that it
    was a vocal group record, right?

    I guess you do not consider an act with only 2 people to be a "vocal
    group," although some do.

    For instance, if you considered the Righteous Brothers to be a vocal
    group, would you consider "Unchained Melody" to be a "vocal group
    record," even though Medley's voice is not heard on the record at all?

    Does what's on the label supersede what you are hearing....to the point
    where if the artist is a group name that it would automatically be a
    "vocal group record" even though the only voice heard on the recording
    is Bobby Hatfield?

    Is "Wishing Well" by Jerry Dorn (with the Hurricanes) a "vocal Group
    record?

    And why is "Try Try Baby" a vocal group record when the label just says
    that it's by Clyde McPhatter?

    https://i.ytimg.com/vi/ZCe_KxVQNhc/sddefault.jpg

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  • From Roger@21:1/5 to Bruce on Wed Oct 30 06:53:50 2024
    On Tue, 29 Oct 2024 23:33:46 +0000, Bruce wrote:

    On Tue, 29 Oct 2024 21:31:24 +0000, Roger wrote:

    It's okay until lack of full info leads to the pronouncing something
    like Gene Pitney's "(I'm Gonna) Love My Life Away" as a vocal group
    record.

    But for you it depends what that full info says. If that record had
    been released with the artist being "The Pitneys," you would then say
    that it was a vocal group record, right?

    Wrong! If the history behind "The Pitneys" record stayed the same of
    course its not a vocal group record. It's still one man multi-tracked

    I guess you do not consider an act with only 2 people to be a "vocal
    group," although some do.

    Nope the Everly Brothers and their ilk are "duets" (which I may well do year-by-year next :-)

    For instance, if you considered the Righteous Brothers to be a vocal
    group, would you consider "Unchained Melody" to be a "vocal group
    record," even though Medley's voice is not heard on the record at all?

    The question is meaningless since they are a duet (at least on their
    other records) not a vocal group.

    Does what's on the label supersede what you are hearing....to the >point where if the artist is a group name that it would automatically >be a
    "vocal group record" even though the only voice heard on the >recording
    is Bobby Hatfield?

    In the case of "Unchained Melody" it is in reality simply a Bobby
    Hatfield solo performance despite its artist description

    Is "Wishing Well" by Jerry Dorn (with the Hurricanes) a "vocal Group
    record?

    Nope its a Jerry Dorn record with vocal backing. One of Sedaka's
    earliest songs too,no?

    And why is "Try Try Baby" a vocal group record when the label just says
    that it's by Clyde McPhatter?

    https://i.ytimg.com/vi/ZCe_KxVQNhc/sddefault.jpg

    Because its a proveable 1954 recording as done under contract by The
    Drifters vocal group and listed in every decent article written about
    their history and certainly included in every discography of the group

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  • From Bruce@21:1/5 to Roger on Wed Oct 30 07:53:08 2024
    On Wed, 30 Oct 2024 6:53:50 +0000, Roger wrote:

    On Tue, 29 Oct 2024 23:33:46 +0000, Bruce wrote:


    For instance, if you considered the Righteous Brothers to be a vocal
    group, would you consider "Unchained Melody" to be a "vocal group
    record," even though Medley's voice is not heard on the record at all?

    The question is meaningless since they are a duet (at least on their
    other records) not a vocal group.

    So is "Unchained Melody" by a duet even though Medley is not singing at
    all on the record? Does what it says on the label (Righteous Brothers)
    totally override what is heard on the recording?


    And why is "Try Try Baby" a vocal group record when the label just says
    that it's by Clyde McPhatter?

    https://i.ytimg.com/vi/ZCe_KxVQNhc/sddefault.jpg

    Because its a proveable 1954 recording as done under contract by The
    Drifters vocal group and listed in every decent article written about
    their history and certainly included in every discography of the group.

    So what you are saying is that if the lead singer is also a member of
    the backup group, then it's a vocal group record, but if he's not a
    member of the group, then it's not a vocal group record.

    So the Vic Donna record with the Parakeets is NOT a vocal group record
    because Vic was not a member of the Parakeets, right?

    But "Going Home" by Jimmy Ricks is a vocal group record because Ricks
    was a member of the Ravens? Because the 45 does not mention the Ravens anywhere.

    https://www.popsike.ch/pix/20100801/360286420688.jpg

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  • From Bruce@21:1/5 to All on Wed Oct 30 08:00:34 2024
    Roger, I assume that this is not a vocal group record?

    https://www.youtube.com/watch?v=w4qj95CyQo8

    Or this one either:

    https://www.youtube.com/watch?v=2ZZKmIZGuEI

    Or this one:

    https://www.youtube.com/watch?v=KV9XmNQ66VM

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  • From Roger@21:1/5 to Bruce on Wed Oct 30 08:36:51 2024
    On Wed, 30 Oct 2024 8:00:34 +0000, Bruce wrote:

    Roger, I assume that this is not a vocal group record?

    https://www.youtube.com/watch?v=w4qj95CyQo8

    Or this one either:

    https://www.youtube.com/watch?v=2ZZKmIZGuEI

    Or this one:

    https://www.youtube.com/watch?v=KV9XmNQ66VM

    I would'nt automatically call them vocal group records per se but they
    are three fine examples of artists with really good vocal group backings

    I don't see the huge problem here?????

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  • From Roger@21:1/5 to Bruce on Wed Oct 30 08:30:37 2024
    On Wed, 30 Oct 2024 7:53:08 +0000, Bruce wrote:

    On Wed, 30 Oct 2024 6:53:50 +0000, Roger wrote:

    On Tue, 29 Oct 2024 23:33:46 +0000, Bruce wrote:


    For instance, if you considered the Righteous Brothers to be a vocal
    group, would you consider "Unchained Melody" to be a "vocal group
    record," even though Medley's voice is not heard on the record at all?

    The question is meaningless since they are a duet (at least on their
    other records) not a vocal group.

    So is "Unchained Melody" by a duet even though Medley is not singing
    at all on the record? Does what it says on the label (Righteous
    Brothers) totally override what is heard on the recording?

    That's why I added "at least on their other records" which I would have
    thought was self explanatory

    And why is "Try Try Baby" a vocal group record when the label just s
    says that it's by Clyde McPhatter?

    https://i.ytimg.com/vi/ZCe_KxVQNhc/sddefault.jpg

    Because its a proveable 1954 recording as done under contract by The
    Drifters vocal group and listed in every decent article written about
    their history and certainly included in every discography of the group.

    So what you are saying is that if the lead singer is also a member of
    the backup group, then it's a vocal group record, but if he's not a
    member of the group, then it's not a vocal group record.

    What I'm saying is exactly what's quoted above. "Because its a proveable
    1954 recording....etc ...etc...etc

    I think I've made my point fairly clear and since I don't propose to
    spend the rest of my life answering "is this a vocal group record or
    not" questions I've not much else to add

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  • From Roger@21:1/5 to bbug on Wed Oct 30 11:15:09 2024
    On Wed, 30 Oct 2024 10:34:58 +0000, bbug wrote:

    Bruce wrote:
    Anything with a vocal group singing for a major portion of any record
    is a vocal group record in my book. Your definition of a "vocal group
    record" seems to be the same thing as a record that is "by a vocal
    group." I see them as 2 different things that are not mutually
    exclusive. Like all dogs are mammals, but not all mammals are dogs.

    Another concept that is part of the determination is that of perception. Roger and I perceive many records to not be vocal group records because
    they are perceived by the vast majority of listeners to be by solo
    artists. Elvis is the perfect example. He has such a huge presence that
    his records are perceived as being Elvis records, not vocal group
    records.

    Any list of vocal group records that includes Elvis records would be
    enough for me to just ignore the list, giving it no basis in reality.

    Well said and I could not agree more with the categorization of Elvis
    records. As you rightly say the vast majority of people hear those Elvis recordings as very much 'solo artist backed by a vocal group affairs' as
    do you and I.

    In fact until a day or so ago I don't remember ever encountering anyone
    who argued the opposite---that is that they were vocal group records

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  • From bbug@21:1/5 to Bruce on Wed Oct 30 10:34:58 2024
    Bruce wrote:
    Anything with a vocal group singing for a major portion of any record
    is a vocal group record in my book. Your definition of a "vocal group
    record" seems to be the same thing as a record that is "by a vocal
    group." I see them as 2 different things that are not mutually
    exclusive. Like all dogs are mammals, but not all mammals are dogs.

    Another concept that is part of the determination is that of perception.
    Roger and I perceive many records to not be vocal group records because
    they are perceived by the vast majority of listeners to be by solo
    artists. Elvis is the perfect example. He has such a huge presence that
    his records are perceived as being Elvis records, not vocal group
    records.

    Any list of vocal group records that includes Elvis records would be
    enough for me to just ignore the list, giving it no basis in reality.

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  • From Bruce@21:1/5 to Roger on Wed Oct 30 16:06:50 2024
    On Wed, 30 Oct 2024 8:30:37 +0000, Roger wrote:

    On Wed, 30 Oct 2024 7:53:08 +0000, Bruce wrote:

    So what you are saying is that if the lead singer is also a member of
    the backup group, then it's a vocal group record, but if he's not a
    member of the group, then it's not a vocal group record.

    What I'm saying is exactly what's quoted above. "Because its a proveable
    1954 recording....etc ...etc...etc


    Suppose it was a provable 1954 recording that was released a few years
    later as by Clyde McPhatter, but the other singers were the Cues rather
    than the Drifters. Then you would say that it's not a vocal group
    record, right?

    The provable part doesn't mean anything unless the lead singer was a
    member of the group, correct?

    "Ain't That Loving You Baby" by Elvis was a provable 1956 or 1957
    recording that was released in 1964, but because Elvis was not a member
    of the Jordanaires, you do not seem it to be a vocal group record,
    right?

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  • From Roger@21:1/5 to Roger on Wed Oct 30 15:32:11 2024
    On Wed, 30 Oct 2024 11:15:41 +0000, Roger wrote:

    On Wed, 30 Oct 2024 10:34:58 +0000, bbug wrote:

    Bruce wrote:
    Anything with a vocal group singing for a major portion of any record
    is a vocal group record in my book. Your definition of a "vocal group
    record" seems to be the same thing as a record that is "by a vocal
    group." I see them as 2 different things that are not mutually
    exclusive. Like all dogs are mammals, but not all mammals are dogs.

    Another concept that is part of the determination is that of perception.
    Roger and I perceive many records to not be vocal group records because
    they are perceived by the vast majority of listeners to be by solo
    artists. Elvis is the perfect example. He has such a huge presence that
    his records are perceived as being Elvis records, not vocal group
    records.

    Any list of vocal group records that includes Elvis records would be
    enough for me to just ignore the list, giving it no basis in reality.

    Well said and I could not agree more with the categorization of Elvis records. As you rightly say the vast majority of people hear those Elvis recordings as very much 'solo artist backed by a vocal group affairs' as
    do you and I.

    In fact until a day or so ago I don't remember ever encountering anyone
    who argued the opposite---that is that they were vocal group records

    I did a little checking and in the two old Vocal Group battles (and
    remember there were a LOT more folk on this newsgroup back then) there
    were NO Elvis records included or even requested by anyone. Not a single
    person complained or even mentioned anything at all about them.

    In fact the ONLY "single artist" record included in either battle was
    "Mind Over Matter" by Nolan strong---and that was because--despite how
    its credited on the label--the recording is by Nolan Strong & The
    Diablos as confirmed to us by Devora Brown (and as mentioned in several
    online sources)

    I did a further check and can find absolutely NO mention of anyone here
    in the past (until this week) describing any Elvis records as "vocal
    group records". Nobody ever wrote about them in that way. Nobody
    suggested them for the vocal groups battles and certainly nobody
    complained at their omission

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  • From Bruce@21:1/5 to Roger on Wed Oct 30 16:28:10 2024
    On Wed, 30 Oct 2024 11:15:09 +0000, Roger wrote:

    On Wed, 30 Oct 2024 10:34:58 +0000, bbug wrote:

    Bruce wrote:
    Anything with a vocal group singing for a major portion of any record
    is a vocal group record in my book. Your definition of a "vocal group
    record" seems to be the same thing as a record that is "by a vocal
    group." I see them as 2 different things that are not mutually
    exclusive. Like all dogs are mammals, but not all mammals are dogs.

    Another concept that is part of the determination is that of perception.
    Roger and I perceive many records to not be vocal group records because
    they are perceived by the vast majority of listeners to be by solo
    artists. Elvis is the perfect example. He has such a huge presence that
    his records are perceived as being Elvis records, not vocal group
    records.

    Any list of vocal group records that includes Elvis records would be
    enough for me to just ignore the list, giving it no basis in reality.

    Well said and I could not agree more with the categorization of Elvis records. As you rightly say the vast majority of people hear those Elvis recordings as very much 'solo artist backed by a vocal group affairs' as
    do you and I.

    The "vast majority of people" think that any rock and roll or R&B record
    from the 50s is "doo wop" and also think that any soul record from the
    60s is "Motown."

    Do you really want to make the opinions of the general public part of
    this debate?

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  • From Roger@21:1/5 to Bruce on Wed Oct 30 16:27:11 2024
    On Wed, 30 Oct 2024 16:06:50 +0000, Bruce wrote:

    On Wed, 30 Oct 2024 8:30:37 +0000, Roger wrote:

    On Wed, 30 Oct 2024 7:53:08 +0000, Bruce wrote:

    So what you are saying is that if the lead singer is also a member of
    the backup group, then it's a vocal group record, but if he's not a
    member of the group, then it's not a vocal group record.

    What I'm saying is exactly what's quoted above. "Because its a proveable
    1954 recording....etc ...etc...etc


    Suppose it was a provable 1954 recording that was released a few years
    later as by Clyde McPhatter, but the other singers were the Cues rather
    than the Drifters. Then you would say that it's not a vocal group
    record, right?

    The provable part doesn't mean anything unless the lead singer was a
    member of the group, correct?

    "Ain't That Loving You Baby" by Elvis was a provable 1956 or 1957
    recording that was released in 1964, but because Elvis was not a member
    of the Jordanaires, you do not seem it to be a vocal group record,
    right?

    Why do the words "clutching" and "straws" fill my mind?

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  • From Bruce@21:1/5 to Roger on Wed Oct 30 16:20:55 2024
    On Wed, 30 Oct 2024 11:15:41 +0000, Roger wrote:

    On Wed, 30 Oct 2024 10:34:58 +0000, bbug wrote:

    Bruce wrote:
    Anything with a vocal group singing for a major portion of any record
    is a vocal group record in my book. Your definition of a "vocal group
    record" seems to be the same thing as a record that is "by a vocal
    group." I see them as 2 different things that are not mutually
    exclusive. Like all dogs are mammals, but not all mammals are dogs.

    Another concept that is part of the determination is that of perception.
    Roger and I perceive many records to not be vocal group records because
    they are perceived by the vast majority of listeners to be by solo
    artists. Elvis is the perfect example. He has such a huge presence that
    his records are perceived as being Elvis records, not vocal group
    records.

    Any list of vocal group records that includes Elvis records would be
    enough for me to just ignore the list, giving it no basis in reality.

    Well said and I could not agree more with the categorization of Elvis records. As you rightly say the vast majority of people hear those Elvis recordings as very much 'solo artist backed by a vocal group affairs' as
    do you and I.

    In fact until a day or so ago I don't remember ever encountering anyone
    who argued the opposite---that is that they were vocal group records

    When George Lavatelli and I did our first survey which asked every
    participant to rank their 15 favorite vocal groups, former group member
    Steve Propes listed Jesse Belvin as his number one vocal group.

    When we did the 1957 survey asking for each participant's top 20 vocal
    group records of the year, Bill Olb's number one vote went to "Don't" by
    Elvis and the Jordanaires.

    So there is precedent for what I am arguing. Being in the UK and not
    here you have not much experience sitting around with several R&B Vocal
    group fans and talking about records that they love.

    In the case of the Bobby Relf and Chuck Higgins records they are
    definitely considered to be vocal group records. Even on Youtube they
    are listed as "Bobby Relf and Group" and "Chuck Higgins And Group." It
    doesn't matter to them whether they know who the group is or whether the
    lead singer is in the group or not. They are still vocal group records.

    https://www.youtube.com/watch?v=2ZZKmIZGuEI

    https://www.youtube.com/watch?v=KV9XmNQ66VM


    And so are the Arthur Lee Maye records that only show his name on the
    label, and the same with the Young Jessie records like "Lonesome Desert.
    "

    https://www.youtube.com/watch?v=otuLyfAf3qM

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  • From RWC@21:1/5 to bbug on Wed Oct 30 13:55:15 2024
    On Wed, 30 Oct 2024 10:34:58 +0000, [email protected] (bbug) wrote:

    Bruce wrote:
    Anything with a vocal group singing for a major portion of any record
    is a vocal group record in my book. Your definition of a "vocal group
    record" seems to be the same thing as a record that is "by a vocal
    group." I see them as 2 different things that are not mutually
    exclusive. Like all dogs are mammals, but not all mammals are dogs.

    Another concept that is part of the determination is that of perception. >Roger and I perceive many records to not be vocal group records because
    they are perceived by the vast majority of listeners to be by solo
    artists. Elvis is the perfect example. He has such a huge presence that
    his records are perceived as being Elvis records, not vocal group
    records.

    Any list of vocal group records that includes Elvis records would be
    enough for me to just ignore the list, giving it no basis in reality.

    (let's give the pot one more stir :-)

    Perception is *personal* and can equally serve both sides of the
    Roger-Bruce debate on what is a vocal group record.

    In this debate, it could be argued that Roger and Bill's perceptions are closed-minded, particularly regarding Elvis, where they are influenced
    by simplistic mob thinking (e.g., "Elvis was never just part of a vocal group").

    Bruce, on the other hand, represents those who are more open-minded,
    whose thinking isn't primarily shaped by the history of record label
    credits or contracts. Imagine if no other Elvis records existed and
    "Don't Be Cruel" was released and credited to "The Jordanaires,
    featuring Elvis Presley (as the group's lead singer)."

    Bruce is influenced heavily, if not solely, by the *sound* of a specific recording, while Roger prioritizes other criteria.

    (Geoff believes that for a record to be considered as having a
    Vocal Group sound, there must be 3 or more voices. This means that
    2-voice Duets can be immediately recognized and categorized as such.)

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  • From Mark D.@21:1/5 to All on Wed Oct 30 17:55:56 2024
    On Oct 30, 2024 at 11:28:10 AM CDT, "Bruce" <Bruce> wrote:

    Do you really want to make the opinions of the general public part of
    this debate?

    Speaking for the general public, I'd say we think this debate should stop.

    --md

    remove "xx" for email

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  • From Bruce@21:1/5 to Mark D. on Wed Oct 30 18:06:59 2024
    On Wed, 30 Oct 2024 17:55:56 +0000, Mark D. wrote:

    On Oct 30, 2024 at 11:28:10 AM CDT, "Bruce" <Bruce> wrote:

    Do you really want to make the opinions of the general public part of
    this debate?

    Speaking for the general public, I'd say we think this debate should
    stop.

    Phuck off. If you don't like the debate, don't read the thread. It's not
    like you have been contributing anything around here lately.

    --- SoupGate-Win32 v1.05
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  • From Roger@21:1/5 to RWC on Thu Oct 31 06:50:49 2024
    On Wed, 30 Oct 2024 17:55:15 +0000, RWC wrote:

    On Wed, 30 Oct 2024 10:34:58 +0000, [email protected] (bbug) wrote:

    Bruce wrote:
    Anything with a vocal group singing for a major portion of any record
    is a vocal group record in my book. Your definition of a "vocal group
    record" seems to be the same thing as a record that is "by a vocal
    group." I see them as 2 different things that are not mutually
    exclusive. Like all dogs are mammals, but not all mammals are dogs.

    Another concept that is part of the determination is that of perception. >>Roger and I perceive many records to not be vocal group records because >>they are perceived by the vast majority of listeners to be by solo
    artists. Elvis is the perfect example. He has such a huge presence that
    his records are perceived as being Elvis records, not vocal group
    records.

    Any list of vocal group records that includes Elvis records would be
    enough for me to just ignore the list, giving it no basis in reality.

    (let's give the pot one more stir :-)

    Perception is *personal* and can equally serve both sides of the
    Roger-Bruce debate on what is a vocal group record.

    In this debate, it could be argued that Roger and Bill's perceptions
    are closed-minded, particularly regarding Elvis, where they are
    influenced by simplistic mob thinking (e.g., "Elvis was never just
    part of a vocal group").

    Bruce, on the other hand, represents those who are more open-minded,
    whose thinking isn't primarily shaped by the history of record label
    credits or contracts. Imagine if no other Elvis records existed and
    "Don't Be Cruel" was released and credited to "The Jordanaires,
    featuring Elvis Presley (as the group's lead singer)."

    Bruce is influenced heavily, if not solely, by the *sound* of a
    specific recording, while Roger prioritizes other criteria.

    (Geoff believes that for a record to be considered as having a
    Vocal Group sound, there must be 3 or more voices. This means that
    2-voice Duets can be immediately recognized and categorized as such.)

    If you really have any belief at all in all this horseshit why didn't
    you or anyone else baulk at the complete lack of any Elvis records for
    instance in both of the old Vocal Groups Battles?. You were posting on
    here back then. Why no comments at the time?

    --- SoupGate-Win32 v1.05
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  • From Bruce@21:1/5 to Roger on Thu Oct 31 08:03:01 2024
    On Thu, 31 Oct 2024 6:50:49 +0000, Roger wrote:

    If you really have any belief at all in all this horseshit why didn't
    you or anyone else baulk at the complete lack of any Elvis records for instance in both of the old Vocal Groups Battles?. You were posting on
    here back then. Why no comments at the time?

    It was your contest so it went by your rules. AND it would be
    ridiculously more work if you went by my rules with the battles. That's
    why when George and I did those vocal group surveys I was okay with it
    when he only wanted to include solo acts with groups if the solo act was
    in the group, like Clyde McPhatter and the Drifters were included, but
    Chuck Willis and the Sandmen were not included.

    --- SoupGate-Win32 v1.05
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  • From RWC@21:1/5 to All on Thu Oct 31 23:29:47 2024
    On Thu, 31 Oct 2024 06:50:49 +0000, [email protected] (Roger)
    wrote:

    If you really have any belief at all in all this horseshit why didn't
    you or anyone else baulk at the complete lack of any Elvis records for >instance in both of the old Vocal Groups Battles?. You were posting on
    here back then. Why no comments at the time?

    Roger, ironically *you* are clutching at straws, with *your* misleading horseshit - shame on you!

    Unlike in this current thread, the old Vocal Group Battles did *not bring
    to mind* the thought of questioning the definition of a Vocal Group
    record - *realistically* we all just went along, innocent and
    unquestioning, for a ride on the great Battle wave.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Roger@21:1/5 to RWC on Fri Nov 1 06:55:47 2024
    On Fri, 1 Nov 2024 3:29:47 +0000, RWC wrote:

    On Thu, 31 Oct 2024 06:50:49 +0000, [email protected] (Roger)
    wrote:

    If you really have any belief at all in all this horseshit why didn't
    you or anyone else baulk at the complete lack of any Elvis records for >>instance in both of the old Vocal Groups Battles?. You were posting on
    here back then. Why no comments at the time?

    Roger, ironically *you* are clutching at straws, with *your* misleading horseshit - shame on you!

    What is "misleading" about what I said? Nobody but nobody queried the
    criteria for the old vocal group battles. That is fact

    Unlike in this current thread, the old Vocal Group Battles did *not
    bring
    to mind* the thought of questioning the definition of a Vocal Group
    record - *realistically* we all just went along, innocent and
    unquestioning, for a ride on the great Battle wave.

    Because everybody at that time pretty well agreed what a vocal group
    record was and nobody but nobody mentioned anything along the lines of
    the totally revisionist vocal group thinking currently being mentioned
    here

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