On Wednesday, 21 December 1994 07:27:16 UTC+11, T E Walsh wrote:

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# \____ | \/ \/ |__________ | * #
# #
#-----------------------------------------------------------------------------#
# * POP WILL SAMPLE ITSELF! * #
#-----------------------------------------------------------------------------#
# THE INCREDIBLE PWEI`S SAMPLING LIST (VERSION 2.07) #
# [11/25/94] #
# (All the bits that are fit to spit!) #
# #
###############################################################################

SAMPLING:
In music, the practice of capturing segments of
existing recordings and including these captured
'samples' in a new work.

===============================================================================

A lot of Pop WILL Eat Itself's music relies on samples of film soundtracks, spoken voice recordings, television programs, and commercial music (Pop and otherwise) to provide atmosphere, reference points, themes, or even underlying
structure to their compositions. This innovative and bold approach is a large part of PWEI's appeal. Many fans of their music were initially drawn to PWEI as
the result of a particular sample. In my case, it was the groundbreaking use of
the Twilight Zone TV theme in combination with the quasi-religious mantra of "Big Mac, fries to go!" on 'Def.Con.One' (Arguably their biggest US hit). For
others, it might be Dirty Harry saying "Go ahead..." on 'Preaching To the Perverted', Jack Nicholson's Joker warning "Never rub another man's rhubarb!",
or the gangs in the film 'The Warriors' yelling "Riffs - Yeah!" in 'Can U Dig It?'. Their more recent efforts have been utilising multiple layers of shorter
samples to build textural or structural foundations for their music. Examples of this technique include the use of the 'Terminator 2' theme in 'Ich Bin Ein Auslander', and the U2 'Until The End Of The World' rhythm in 'MeNoFearTheReaper'. Regardless of the way it's applied, the technique of sampling is part of what makes PWEI PWEI!

- Dave Read, list-minder ===============================================================================

This list is a somewhat futile attempt to identify each and every 'sampled' segment contained in the vast panoply of PWEI's work. It is an outgrowth
of a similar list originally collated and compiled by the following kind souls,
whose contributions are greatly appreciated:

* [email protected] (Jason Street)
* [email protected] (Andrew Shires)
* [email protected] (Peter Vamplew)
* [email protected] (Adam J. Weitzman)
* [email protected]
* [email protected] (Jack Jansen)
* [email protected] (Paul Crowley)
* [email protected] (Brendan P. McFeely)
* [email protected] (Tim Ervin)
* [email protected] (Jason Bilsky)
* [email protected] (Tezzer).
* [email protected] (Joe Turner)

Special thanks to Tezzer Walsh for doing the FAQ, for the discography, for passing me this list, and for keeping the PWEI torch lit. (Fanning the flames,
and _not_ flaming the fans...) Attaboy, Tez!

All contributions are welcome. Since there is no feasible method of veryifying
some of the 'suggested' content or sources, all suggestions will be included. (To be added to the list, comments must contain information or opinions not already appearing in the list.) Challenges or validations of these IDs are always welcome, and will appear in future versions of the list.
If, for some reason, you wish to have your email address witheld, please indicate so in your message.

Send contributions to: [email protected]

===============================================================================

LIST STRUCTURE:

----------------
| Release Titles | appear inside boxes as shown.
|----------------|

{ Composition Titles } appear inside curly (nyuk nyuk) brackets.

(I) General information about a composition follows a big I.

Sample ID descriptions follow arrows.

(#1) Sample sources follow number (pound) symbols. Source
titles appear inside 'Single Quotes'. The name of the
person supplying the info appears in square brackets
at the end of any remarks. [John 'Poppy' Doe - [email protected]]

# Unecessary editorial commentary by list-minder enclosed between pound signs #

==== Releases are separated by double lines.
---- Compositions are separated by single lines.

===============================================================================

Changes for version 2.07:

More new source IDs and interesting comments...
Uncredited comments are leftovers from previous versions of the
list - contributors are unknown. If anyone can fill in the blanks,
drop me a line.

Also, I seem to have had a bit of an organizational problem:
somewhere along the line, I managed to lose several messages,
including (I think) some with material for the sample list.
If you sent something to me before Thanksgiving (Apologies to those
not in the US... That's November 24.) and it doesn't appear
in this version of the list, please please please send it again
(accompanied by a severe reprimand if desired) and I'll make sure
it gets in the next version.

!N! <- New items to this version are marked thusly -> !N!

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

-----------------
| Now For A Feast |
|-----------------|

(NO SAMPLES AS YET IDENTIFIED FROM THIS RELEASE.)

===============================================================================
---------------
| Go Box Frenzy |
|---------------|

{ Grebo Guru }

"Any minute now, Pop Will Eat Itself"

(#1) This a Radio One DJ whose name I have forgotten
(R1 is the UK's only national popular music station)
[ Andrew Shires - [email protected] ]

(#2) Andy Kershaw, possibly.
[ Tezzer - [email protected] ]

(#3) ...apparently Mark Ellen wetting his knickers on the Old
Grey Whistle Test (RIP, or do my ears deceive me but are
MTV Europe going to resurrect it?) Think this was for the
'Sweet Sweet Pie' video.
[ Alison Crompton - [email protected] ]

"Very much like scruffy pigs to look at" etc.

(#1) This is Johnny Morris, a children's TV presenter on BBC1.
He did a program that has finished now, called `Animal
Magic' which basically talked about animals. He also did
silly voice overs to footage of animals in their habitats
(often zoos -- shows the Beeb weren't worried about zoo
ethics a few years back :-)
[ Andrew Shires - [email protected] ]

"Are you aware of the razor's edge on which you're living?"

(#1) This is taken from an interview with Donald Campbell
before he got into Bluebird and attempted the speed
record. I remember hearing this in an episode of 'The
Rock And Roll Years'.

[ Simon Salwan - [email protected] ]

-------------------------------------------------------------------------------

{ Beaver Patrol }

"Attention young ladies! Attention young ladies!"

(Source unidentified)

"I`m out!"

(#1) From crappy 70's trucking film called 'Convoy'.
[ Martin Grainger - [email protected] ]

"How d`ya keep your wheels spinnin`, when the Beaver`s grinnin`?"

(#1) From 'Convoy' also. It fits the film and also the voice
speaking sounds familiar.
[ Mr M L Wrightman - [email protected] ]

(#2) From one of the 'Smokey And The Bandit' films.
(#1, I think.) There's a bit where the police have forced
a truck driver to talk to Burt Reynolds on the CB and he
says the above. (I've only seen the film once, really.)
[ Ian Whitfield - [email protected] ]

-------------------------------------------------------------------------------

{ Let's Get Ugly }

"Rockman Rock!"

(#1) Justified Ancients of MuMu's 'Rockman Rock'
[ Peter Vamplew - [email protected] ]

"The time sponsored by Accurist will be..."

(#1) This is a recording of the Speaking Clock service that
British Telecom run (you ring a number to find the exact
GMT time) [ Andrew Shires - [email protected] ]

"do one more..."

(#1) (Source unknown, but) also in Art of Noise's (live)
'Peter Gunn Theme'

(#2) This is definitely Duane Eddy, sampled from a _studio_ mix
of 'Peter Gunn' that I've got somewhere.
[ Simon Salwan - [email protected] ]

"..precisely"

(#1) Speaking clock again!
[ Andrew Shires - [email protected] ]

-------------------------------------------------------------------------------

{ U.B.L.U.D (United By Love Until Death) }

Kind of a gulping noise. (A very abruptly edited sample)

(Source unknown)

Infinite looping vocal "Ahhh"

(#1) I could easily be wrong, but it sounds like Jon
Anderson of Yes. [ Dave Read - [email protected] ]

(#2) Don't think this can really be credited as a sample as a
young lady called Ruth was credited somewhere for doing
some girly vocals for them.
[ Alison Crompton - [email protected] ]

-------------------------------------------------------------------------------

{ Inside You }

(No samples identified)

-------------------------------------------------------------------------------

{ Evelyn }

!N! -> Nusic box and accompaniment

(#1) From Ridley Scott's film 'Legend'. The scene in which
the demon gives the princess a bridal gown.
[ Cindy Lee - [email protected] ]

-------------------------------------------------------------------------------

{ There Is No Love Between Us Anymore }

"When I fall in love, it will be..."

(#1) Nat King Cole's 'When I fall in love'

"and now it`s gone, gone, gone, whoah"

-> "and I can`t go on, whoah" (Club Remix version)

(#1) both from the Righteous Brother's 'You've Lost that
Loving Feeling' [ Tezzer - [email protected] ]

"She loves me... She loves me not!" (Female voice)

(#1) Sounds like Dianna Rigg as Emma Peel in the TV show
'The Avengers' [ Dave Read - [email protected] ]

-------------------------------------------------------------------------------

{ She's Surreal }

That wailing bit before "When she wears hoop stockings..."

(#1) From some Marc Bolan / T Rex ditty.
[ Simon Salwan - [email protected] ]

-------------------------------------------------------------------------------

{ Intergalactic Love Mission }

"Wham, bam!"

(#1) Part of the chorus of Wham's 'Wham Rap'
[ Peter Vamplew - [email protected] ]

"Lock all doors"

(Source unidentified)

"We're here to take care of you"

(Source unidentified)

Porn movie heavy breathing

(Source unidentified)

"Leave a sample in the jar please!"

(#1) This is from a low-budget 60's horror film called 'The
House That Dripped Blood' or some other nonsense. Anyway,
there's a woman who is in a trance, and ectoplasm starts
worming out of the end of her fingers, and a bloke who is
studying this phenomena as a scientific experiment tells
her to leave a sample of the ectoplasm in a jar. I know
it sounds dodgy, but it's true!
[ Simon Salwan - [email protected] ]

-------------------------------------------------------------------------------

{ Love Missle F1-11 }

"Woo! Come on everybody"

(#1) Eddie Cochrane, from the song of the same name.
[ Simon Salwan - [email protected] ]

(I) This is a remake of Sigue Sigue Sputnik's song
[ Adam J. Weitzman - [email protected] ]

(I) There are also many references to the Poppies earlier singles:
`She tried to shoot the Poppies, but the POPPIES SAY GRRR..'
'She went to the disco, `cos she wanted to rock
But the guys on the door said, "it`s just POPPIECOCK"'
'She asked me could she borrow my F1-11
I said it`s SWEET SWEET PIE, and took her up to heaven.."'
[ Tezzer - [email protected] ]

-------------------------------------------------------------------------------

{ Hit The Hi-Tech Groove }

"Tay, tay, tay, tay" etc.

(#1) Mel and Kim Appleby's 'Respectable'
[ Peter Vamplew - [email protected] ]

(I) Quote should be "Take, take, take, take" etc. because the
next line in 'Respectable' is "Take a little time..."
[ Cyndy Lee - [email protected] ]

"Stand and deliver!"

(#1) 'Stand and Deliver' by Adam and the Ants.
[ Peter Vamplew - [email protected] ]

There is a _big_ section (bass and melody)

(#1) from 'The Jack That House Built', an oldish house track
by Jack 'n' Chill. [[email protected]]

"Don't mean robbin', stealin', or muggin'."

(#1) A song called 'We're Only Bugging' by Whistle.
[ Simon Salwan - [email protected] ]

-------------------------------------------------------------------------------

{ Razorblade Kisses }

(I) This is the music to an old BBC children's programme (with small
caricature models done with stop-frame animation) called
Camberwick Green (it is basically about the people in a town
called Camberwick Green and usually involves scenes with windmills
and things :-) [ Andrew Shires - [email protected] ]

"This is a musical box.." bit at the start

(#1) sounds like part of a UK children's show called
PlaySchool, however this is just a guess. I do know it
was also used as an intro to "Burundi Blues" by Beats
International.
[ Peter Vamplew - [email protected] ]

(#2) Could that too be taken from 'Camberwick Green','Trumpton'
or perhaps 'Chigley'?(Similar stop-frame children`s shows)

(#3) The sample is definitely Brian Cant speaking at the
beginning of either 'Camberwick Green' or 'Trumpton'
(can't remember which). Also, the music box tune is
ripped off 'Evelyn'.
[ Simon Salwan - [email protected] ]

!N! (#4) Definitely defo from the BBC 1 educational short-story
program 'Music Box', that I remember being force-fed
in primary school. (verified by Graham Crabb)
[ Darren White - [email protected] ]

===============================================================================

------------------------------------------------------
| This Is The Day... This Is The Hour... This Is THIS! | |------------------------------------------------------|

{ PWEI Is A Four Letter Word }

"P WEI...PWE...I"

(#1) from PWEI's 'Radio PWEI'

"This is the sound of..."

(#1) PWEI's 'Hit the High-Tech Groove' [[email protected]]

-------------------------------------------------------------------------------

{ Preaching To The Perverted }

"ugly"

(#1) PWEI`s 'Ugly' [ Andrew Shires - [email protected] ]

"Go ahead..."

(#1) Clint Eastwood's classic line from "Dirty Harry"

"Kick a hole in the speaker"

(#1) Eric B. and Rakim (I don't know which song)
[[email protected]]

(#2) It could be from 'Paid In Full' - that was Eric B. and
Rakim's main hit single.
[ Tezzer - [email protected] ]

"This is the law!"

(#1) Animal men from the film 'The Island Of Doctor Moreau'
[ Dave Read - [email protected] ]

(I) On the version that appears on the '16 Different Flavours Of Hell'
compilation, the drumbeat is sampled from 'Cicciolina'. (It
features dfferent lyrics, oddly)
[DJ Duncy C - [email protected] ]

(I) The version on '16 Diff...' is in fact the remix version (by Flood
I think, - though it could be Youth) which appeared on the 'Dance
Of The Mad' single. [ Tezzer - [email protected] ]

In the remix version there are several little guitar samples

(#1) They're from Jimi Hendrix: 'Foxy Lady', from the riff
right after he stops and says "Foxy lady".
[ Dave Read - [email protected] ]

(I) In the remix, they sampled "sheet" from "...stains on the sheet..."
and inserted it into the following line so it becomes "...sheet on
the pavement..." (Accompanied by a little censor's "beep"). But
actually, I think it gives the tune a little more meaning,
considering the police practice of covering a murder victim with a
sheet... [ Dave Read - [email protected] ]

"Can you dig it?"

(#1) From the film 'The Warriors'. (See comments in 'Can U
Dig It?'.) [ Dave Read - [email protected] ]

"Oh yeah"

(#1) On the remix, it's taken from the Poppies' own 'Ugly'.
[ Simon Salwan - [email protected] ]

"Make some noise!"

(#1) The intro to the 'It Takes A Nation Of Millions' album
by Public Enemy.
[ Simon Salwan - [email protected] ]

"Shake what you got!"

(#1) Salt 'N' Pepa, 'Shake Your Thang'
[ Simon Salwan - [email protected] ]

"Yeah that's right, kick it!"

(#1) A sample from a track that escapes me on Public Enemy's
'Yo! Bum Rush The Show'.
[ Simon Salwan - [email protected] ]

"Hell yeah (Hell yeah)"

(#1) Talky bit before 'Terminator X To The Edge Of Panic' on
Public Enemy's '...Nation Of Millions' album.
[ Simon Salwan - [email protected] ]

"The perverts! The perverts! Coming out of the closet!"

(#1) The Shamen sampled this quote from some American
evangelist on 'Jesus Loves America' (Is it Jimmy
Swaggert?), so it could have come from either source.
[ Simon Salwan - [email protected] ]

!N! (I) I can't actually proffer much more evidence, but it is
DEFINITELY a US tele-evangelist of mid-eighties vintage.
Whilst watching Saturday 12th November's edition of
'Late Again' (a weekly compilation of the BBC arts
strand 'The Late Show') there was an item on the
Christian Right in the US, and their increasing
interest in previously secular forms of media, including
music and videogames. During this, there was a brief
montage of US tele-evangelists, including a clip of a
man (not Jim Bakker, but could easily be Swaggart)
talking about how he was "...sick and tired of the
commies, the pinkos... the atheists, the perverts...
coming out of the closet..." and general ranting about
the threat of nice, rational, tolerant people to the
very fabric of society, etc. etc.
[ Dan Staines - [email protected] ]

Drum fanfare before the above quote

(#1) Taken from 'Kray Twins' by Renegade Soundwave (Just after
"I'm much obliged, boys").
[ Simon Salwan - [email protected] ]

# NOTE: How about a round of applause to Simon Salwan for that
incredible run of IDs? Wow! _Dave_ #

-------------------------------------------------------------------------------

{ Wise Up! Sucker }

"She loves me not" (spoken)

(Source unknown)

(I) The "She loves me, she loves me not" bits are sung by Miles Hunt
of The Wonder Years (Clint's old flat-mate) - he's credited as
'Twig the Wonder Twig'. [ Tezzer - [email protected] ]

(I) Shouldn't that be Miles Hunt of 'The Wonder Stuff'?
^^^^^
[ Peter Vamplew - [email protected] ]

(I) It was Twig the WonderKid on vocals...
^^^
[ Simon Salwan - [email protected] ]

!N! # NOTE: Anyone who knows Tezzer, knows those were just typos... He
has _got_ to be the most well-informed fan there is!
Thanks anyway, guys for keeping us on our toes! _Dave_ #

-------------------------------------------------------------------------------

{ Sixteen Different Flavours Of Hell }

"Shee-eee-eee's"

(#1) PWEI's 'She's Surreal' off 'Go Box Frenzy'

"Sixteen different flavours of hell"

(#1) PWEI's 'Wise Up! Sucker' [[email protected]]

-------------------------------------------------------------------------------

{ Inject Me }

"You played it for her, now play it for me. Play it."

(#1) Humphrey Bogart in Casablanca [[email protected]]

About 2 minutes in, there's a sample of a girl singing. It's also

used on a B-side on the 'Wise Up Sucker' 12", called 'Orgyone
Stimulator'. You have to listen very hard to hear it. The sample
makes up the basis of this tune.

(Source unknown) [ Tezzer - [email protected] ]

-------------------------------------------------------------------------------

{ Can U Dig It? }

"RIFFS - YEAH!"

(#1) From the movie, `The Warriors`
[ Tim Ervin - [email protected] ]

"Let's get down to it, boppers"

(#1) `The Warriors` again.

Under "let's get down to it boppers" (Also in Def.Con.One)

(#1) Brief Twilight Zone sample [[email protected]]

Now infamous Guitar Riff

(#1) Possibly 'We Care A Lot' by Faith No More.
[Joe Turner - [email protected]]

(#2) I reckon it's The Buzzard, myself, but this is not the
time or place for a debate...
[ Tezzer - [email protected] ]

# NOTE: Sure it is!... Let's hear some more opinions. _Dave_ #

(#3) OK. My opinion is that it isn't Faith No More - I've got
that song and although it's similar, I don't think it's
sampled here.
[ Peter Vamplew - [email protected] ]

!N! (#4) I think it sounds more like RamJam Corporation's
'Black Betty' than Faith No More's 'We Care A Lot'.
[ Mark Lambert - [email protected] ]

"Can U Dig It?"

(#1) Isn't this from 'The Warriors' as well?
[ Dave Read - [email protected] ]

-------------------------------------------------------------------------------

{ The Fuses Have Been Lit }

"...you pick the heart! And remember-"

"Because bigger is better -- that old American tradition"

(#1) From the movie 'Robocop'
[ Paul Crowley - [email protected] ]

"Elway is going for the bomb..."

(#1) as in football quarterback John Elway of the Denver
Broncos) I think there are also samples from
'Transformers: The Movie' in here.
[ Brendan P. McFeely - [email protected] ]

(I) It's almost certainly from Superbowl XXII - Denver vs
Washington. Ricky Nattiel scored on a bomb from Elway on
Denver's first play.
[ Peter Vamplew - [email protected] ]

"This is THIS... This ain't somethin' else!"

(#1) Robert DeNiro, from the film 'The Deer Hunter'
[ Dave Read - [email protected] ]

-------------------------------------------------------------------------------

{ Poison To The Mind }

"Somewhere in the sprawling metropolis, another job for..."

(#1) Superman?

(#2) This was taken from a Rice Krispies ad from ages ago where
Snap, Crackle and Pop are portrayed as superheroes.
[ Simon Salwan - [email protected] ]

# Snap, Crackle and Pop Will Eat Itself! _Dave_ #

"Music is just... Organized noise"
"I don`t like songs"

-> "Poison to the Mind"

(Source unknown)

-------------------------------------------------------------------------------

{ Def.Con.One }

music under "Big Mac, fries to go"

(#1) The Twilight Zone theme (along with part of the
beginning monologue)

"Right now!"

(#1) The Creatures (Siouxsie and Budgie from the Banshees'
side project), from their version of 'Right Now'
[[email protected]]

(#2) This sounds like something from a 60's chewing gum
commercial! [ Dave Read - [email protected] ]

(#3) It's definitely from the Creatures' track.
[ Simon Salwan - [email protected] ]

"Let's get down to it boppers"

(#1) The film 'The Warriors'
[ Tim Ervin - [email protected] ]

(I) Special tie-in note: Renegade Soundwave uses the last line
from 'The Warriors' on the 12th song of their CD
'Soundclash'. [ Tim Ervin - [email protected] ]

(I) In the single version of 'Def.Con.One', the entire drum track is
sampled from 'Beat Dis' by Bomb the Bass. The drums were
re-recorded for the album version though (unfortunately).

Drum 'roll' at beginning and repeated throughout tune

(#1) Is a standard sample, used _everywhere_ (I think it's from
some old Motown soul track).

High-pitched melodic line after "Ground floor... coming up!"

(#1) Melody from Lipps Inc's 'Funky Town' (sampled or
rerecorded?)

!N! (#2) Sampled from the Aussie group Pseudo Echo's cover
version of Lipps Inc's 'Funky Town'. (verified by
Graham Crabb)
[ Darren White - [email protected] ]

(I) The "ground floor - coming up" line could be a quote from the
graphic novel 'Watchmen' by Dave Gibbons & Alan Moore (Who is
also referred to in 'Can U Dig It?').
[ Dave Read - [email protected] ]

(I) The whole song has Watchmen quotes from "Big Mac, fries to go!" to
"Ten to Doomsday".
[ Simon Salwan - [email protected] ]

"To the left/To the right y'all"

(#1) Run DMC (?) [[email protected]]

The "Whaa" bits in the chorus

(#1) from the Osmonds' 'Crazy Horses'
[ Tezzer - [email protected] ]

Squealy guitar

(#1) 'Wild Horses' (?) by Eric Clapton (Not sure, will come
to me in time)
[ Martin Grainger - [email protected] ]

"Check 1! Check 2! Check 3! Right about now..."

(#1) Salt 'N' Pepa, 'My Mike Sounds Nice'
[ Simon Salwan - [email protected] ]

-------------------------------------------------------------------------------

{ Radio PWEI }

"I can't live without my radio"

(#1) LL Cool J's 'I Can't Live Without My Radio'

"Couldn't survive without my radio"

(#1) World Domination Enterprises' cover of the above

"Talking...Talking...Talking to you"

(#1) Tears For Fears' 'Shout'

"That's Right"

(I) Also used in Mantronix' 'Get Stupid (part III)'
[[email protected]]

"Yeah, that's right, kick it!"

(#1) Flavor Flav of Public Enemy - could be any of a number
of Public Enemy songs.
[ Douglas Bonser - [email protected] ]

(I) Not a sample, but the line "We'll talk of anything, everything if
you want, thing." is VERY similar to the following line from Pink
Floyd's 'Bike' off of 'The Piper At The Gates Of Dawn': "I'll
give you anything, everything that you want, thing."
[ Douglas Bonser - [email protected] ]

(I) "Astley's in the noose..." - A reference to The Wonder Stuff's
'Astley In The Noose'?? [ Douglas Bonser - [email protected] ]

The horn fanfare at the beginning is taken from some James Brown

track ('This Is A Man's World'?).
[ Simon Salwan - [email protected] ]

"Say turn it up! Suckers! Suckers!"

^^^^^^^ ^^^^^^^
(#1) This is from some track or other by KRS 1 / Boogie
Down Productions.
[ Simon Salwan - [email protected] ]

-------------------------------------------------------------------------------

{ Shortwave Transmission On "Up To The Minuteman Nine" }

"Radio, TV and video"

(#1) PWEI's 'Radio PWEI' [[email protected]]

"Offer expires while you wait"

(#1) Eric Idle [ Brendan P. McFeely - [email protected] ]

(#2) Eric Idle, playing 'Wreck-Gar' in 'Transformers: The
Movie' (The lads do like their Japanese comic based
animated movies, don't they?'
[ DJ Duncy C - [email protected] ]

(I) Much of the musical structure is from a large sample of 'Mama'
by Genesis.

-------------------------------------------------------------------------------

{ Satellite Ecstatica }

"Do not panic"

(Source unknown)

-------------------------------------------------------------------------------

{ Not Now James, We're Busy! }

"I wanna get into it, man, you know!"
"Fellas, I'm ready to get up and do my thing"
"We're gonna do a song..."
"Whaaaooah!!"

(#1) -- all the above courtesy Mr James Brown

[continued in next message]

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