Once again we are subjected to a complete pile of festering woke shit
written by a clueless and talentless lesbian diversity hire called Juno
Dawson that writes like an infant and whose notable works include "This
Book is Gay" and "The Gender Games".
The degenerate woke message once again is racism is bad, men are bad, capitalism and large corporations are bad, and everyone especially
children must embrace homosexuality because they can get to sexually
harass everyone they fancy or that doesn't like them.
Babes, hun, ... it's all in there.
The entire cast couldn't act to save their lives in this infantile woke
parody of The Eurovision Song Contest.
The Eurovision has been kept going for hundreds of years and is now
called the The Interstellar Song Contest. Rylan Clarke has been brought
out of cryogenic stasis in-order to present it from a gigantic space
station in interstellar space which can hold an audience of 100,000
lifeforms including Mrs Flood.
The TARDIS lands in one of the private boxes and Gatwa and Belinda step
out and take some readings with Gatwa's phallic pillar measuring device.
Meanwhile two homosexual men constantly harassing each other are late
for the contest and find out that Gatwa is occupying their private box.
One of them is an Interstellar Song Contest fan and the other isn't.
They go to a communication console and demand their seats be returned.
In the broadcast control room a female dwarf is ordering everyone around
at the moment two woke activists break in and take over control. They
replace the live broadcast with a recording of the dress rehearsal to
cover up what they intend to do next and claim that no one will notice
that Rylan is now missing from the broadcast if they say he's fallen sick.
Was that foreshadowing that no one will notice that Ncuti Gatwa is
missing from giving out the results of the UK jury at the real
Eurovision Song Contest after pulling out due to unforeseen
circumstances, ie. not being allowed to display the Gay Pride flag or
any other LGBTQPC++ symbols by the shows organisers?
After starting the recording as a cover the woke terrorists then turn
off the force-field of the auditorium and everyone is sucked into space,
with the only thing stopping them from flying away completely being the
mavity field of the space station which is still on.
Mavity? Indian Isaac Newton? Is this supposed to be real or set in a
parallel universe with a different Doctor? How can this be undone if
there's going to be a UNIT spin off?
Anyway, Gatwa is sucked out of the private box with the TARDIS and Mrs
Flood, while Belinda, the bickering homosexuals, and one of the singers
and her producer manage to escape due to circumstances.
The two terrorists have a grudge against the Corporation running the
contest because it used their home planet in order to grow poppies for
some sort of honey flavouring and then they burned all the fields and
the whole plant once the seeds were harvested.
On top of this everyone is racist against their entire species because
they happen to have horns growing out of the back of their heads. The
male terrorist is given the name Kid as in baby goat after the
corporation killed his mother the moment he was born.
This entirely contrived situation is intended by the degenerate DEI hire
to elicit sympathy for the terrorists who are about to use some kind of brainwave piggybacking on the live broadcast to kill all 3 trillion
television viewers in revenge in order to get their message across.
Why doesn't the writer explain how such a brain signal is even possible?
How are the terrorists supposed to get their message across about the Corporation being evil when they've just replaced the live show with a recording of the dress rehearsal so that they could suck the live
spectators into space without anyone of the television viewers knowing?
Why would killing people gain sympathy for the terrorists? The
degenerate woke DEI hire fails to discuss this.
This totally ridiculous plot was devised by child with no intelligence whatsoever.
All that they're really interested in is promoting homosexuality to
children.
They even mention that there's some sort of communication jamming field
in place in the arena during the duration of the contest so that
spectators can't make bets on the result with bookies on the other side
of the quadrant using sub-space radio because it takes the broadcast
signal longer to get there so they would know the result in advance
before placing the bet.
What? How the hell can the signal get to the other side of the
intergalactic quadrant in the time it takes to perform all of the songs
if the broadcast isn't going through sub-space too?
Why are the bookies even taking bets during the show in the first place
when they would be fully aware people could try to con them using
sub-space and any block could be bypassed?
Everything is totally contrived to suit the stupid idiotic plot.
But it gets worse. In the following minutes the little that was left of
the integrity of the character of the Doctor is totally destroyed.
After being partially frozen in space, causing thoughts of vengeance and visions of his granddaughter Susan urging him to resist, Gatwa uses a
confetti canon in order to propel himself back to the space station. By fortunate coincidence because of the infantile writing he ends up in the
part of the station where the two bickering gay men happen to be, one of
which happens to be a nurse who happens to have a medical kit beside him
in order to mend Gatwa's frozen heart.
Gatwa then embarks on his mission of absolute vengeance, with more
visions of Susan entering his mind, using the abilities of the other gay
man who by miraculous coincidence happens to be a technician who has
worked on the contest before to hack into the system and create a
hologram of Gatwa which he projects into the television control room.
The male terrorist fires at the hologram but the shots pass through it
because it's soft light. Gatwa then reappears beside the male terrorist
as a hard light hologram in order to sexually harass and then murder him
even after he's already stopped the terrorists in their tracks by taking
down their brain signal before they could send it, and the female dwarf
is having them arrested.
The entire holographic deception idea was pinched from episode 4 of The
Pirate Planet by Douglas Adams, but there it had a meaning connected
with the plot and provided foreshadowing of the big villain reveal. Here
is has no meaning at all because the writer is a woke imbecile who
doesn't know how to write and only uses their writing for political
messaging.
It also turned out that the female singer who was just about to perform
before the show was cut short, who is now with Belinda, is of the same
horned species as the woke terrorists but has had her horns paired down
in order to disguise them under her hairdo. When her human producer
finds out he completely disowns her. She also happens to know both of
the terrorists especially the male one who she seems to have gone to
school with.
In the end everyone is saved because Gatwa magics up a tractor beam to
bring the audience and the TARDIS back to the station to the sound of
Making Your Mind Up by Bucks Fizz playing, after tripling the mavity field.
The live broadcast is then re-established and the female singer with the
paired down horns and big hairdo is invited on stage by Rylan Clarke to
sing the political song she was going to sing about her home planet
being destroyed by the Corporation. As if the corporation would even let someone take part in the contest after submitting a song like that. No,
wait, that's exactly what Ukraine did and they actually won the contest
with it.
Fortunately this song is in the horned alien's own native language so we
don't have to endure it's woke messaging.
Belinda meets Rylan drooling all over him and says goodbye and along
with Gatwa they now have enough data to take them back to Earth but they
find out from a hologram of Graham Norton, who has been long dead, which
acts as curator of the Eurovision/Interstellar Song Contest Museum that
Earth and all life on it was totally destroyed 800 years ago on 24 May
2025, which of course is next Saturday.
If all life on Earth and everything on it was totally destroyed in 2025
then how can there be humans including Rylan Clarke on the space station
along with a hologram of Graham Norton and a museum dedicated to the continuation of The Eurovision Song Contest for the next 800 years?
This makes no sense whatsoever due to the degenerate DEI hire not having
a clue about story writing. The DIE hire just like all woke degenerates
thinks that stories are nothing more than a vessels to carry political
messages to the unsuspecting audience under false pretences.
Gatwa and Belinda arrive at where Earth should have been on 24 May 2025,
the day Belinda went missing, to the sound of the Cloister Bell and
flashing red lights inside the TARDIS.
Mrs Flood is the last member of the audience to be rescued from space
but her coronary or repository bypass has malfunctioned and therefore
after revealing that she is the Rani she bi-generates into two Ranis,
one of which is played by an Indian actress who claims that she is The
Rani and Mrs Flood is just A Rani, and then starts bossing her around
while Mrs Flood takes on a submissive posture and mannerism.
After the Ranis find out that Gatwa is no longer around, and therefore
it's all safe on the space station, they set off to go after him.
-100/10
--
The True Doctor
https://www.youtube.com/channel/UCngrZwoS0n21IRcXpKO79Lw
"To be woke is to be uninformed which is exactly the opposite of what it
stands for." -William Shatner
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