This is a multi-part message in MIME format.
I have watched the Season 2 episode "Lux" so that you don't have to.
Just as you thought that you might be able to suspend your disbelief at
the cartoon stupidity in the opening scene and the episode might be
watchable after all, the pervert Ncuti Gatwa shows his face and starts
acting even more stupidly and irrationally than the cartoon villain we
are introduced to.
So a cartoon character, projected in a mostly empty film theatre after
the news reel in 1952, which appears to have been animated in the style
of the 1930s, comes to life and walks out of the screen. Then it makes
the entire audience disappear and turns them into frames of film. Why?
What is the cartoon villain's motivation for doing this? Because they
made it laugh? They didn't. Because they laughed at it? They didn't do
that either. No explanation is given. Why does it want to do this to
people? *-1 mark*.
Why does this entity exist in the first place? What gives it life? Why
is it supposed to be a god? No explanation. *-1 more mark*.
The scene then cuts to Ncuti Gatwa and Belinda (the most Indian name in existence) acting and behaving like imbeciles in an even more
unbelievable manner than the cartoon entity itself. Gatwa still can't
keep is accent consistent. *-1 mark*. Belinda isn't an Indian name, it's
Anglo Saxon or Italian, therefore there is even less suspension of
disbelief than for the cartoon coming to life. *-1 more mark*.
Gatwa tires to get Belinda back to May 24, 2025 using some stupid
looking device he links to the TARDIS, but only manges to get her to
1952 and needs to go outside to take some more measurements. Gatwa is
dressed like a 21st century pervert so he decides to put on some 1950s
clothing along with Belinda, and still looks like a pervert. *-1 more
mark* for Gatwa being dressed as a pervert and acting and behaving like
one.
They step out of the TARDIS with Gatwa's measuring device. He takes his measurements, puts the device back inside the TARDIS, and closes the
door while remaining outside with Belinda, and here comes the start of
the degenerate woke lecturing that makes it impossible to suspend your disbelief any further.
The involuntarily celibate pervert Russell T Davies can't resist the
chance to insert his gay agenda into the show and we have to suffer a
history lesson about how Rock Hudson the star of the main feature at the
movie theatre or plaza, they're not called cinemas in the US, died of
AIDS. Well he shouldn't have had unprotected anal sex then, or anal sex
at all, since it would have probably ripped the condom apart even if he
was wearing one. *-1 more mark*.
Next the pair walk into a diner and find out that 14 people have gone
missing from the movie plaza (remember they don't have cinemas in the
US) but not before we are subjected to yet another woke lecture on
segregation in America in the 1950s. *-2 marks*. I'm sick and tired of
this sick woke degeneracy detracting from my entertainment.
After all this degenerate woke lecturing they find out that only the projectionist at the movie theatre didn't go missing and Gatwa decides
to break into the movie plaza where the projectionist has set up camp
for the last 3 months. Where does he go to eat? The diner? Where is the
money to pay for it come from if the movie plaza is closed down and
chained up? How does he get out of it if they chains are on all the
outward facing doors?
After encountering Gatwa and Belinda the projectionist shows them a
strip of film that the missing audience members have been turned into
the frames of, one by one.
Why wasn't the projectionist turned into a frame of film like the rest
of the people? Was it because he didn't laugh? He didn't make the
cartoon laugh? He was safe in the projection room? He threatened to burn
the film? Not explained. *-1 mark*.
Apparently he's staying in the movie theatre because the cartoon entity
which calls itself Lux has brought his dead wife back to life from a
reel of film. Why?
There's a conversation about film being flammable and exploding which is factually inaccurate. Celluloid film was explosive because it has the
same ingredients as gunpowder and other explosives, but this was
replaced with acetate film in 1909 which is less likely to burn and does
not explode. Do a simple Google search and get your facts right Russell
T Davies when you try using this false information as a major plot
element later on. *-4 marks*.
The cartoon villain appears on stage, looks mostly human, has a nose
that looks like that of a pig, and is coloured blue which Gatwa and
Belinda comment on. Why does it look like this? Not explained. Why
comment on it then? This is obviously padding. *-1 mark*.
The cartoon keeps repeating don't make be laugh, don't make me laugh, as
if they mustn't. This makes no sense since they never make it laugh or
laughed themselves and yet Gatwa and Belinda are turned into film
cartoons by it. *-1 mark*.
They make themselves real again by telling each other more and more
truths about themselves? Why? How does that work? *-1 mark*.
But they're still trapped on the film and they try to escape the film by
moving the film up and down very fast. It fails.
A cop turns up with one of the women whose son is missing and we are
subjected to another woke lecture about racial segregation. *-1 mark*.
The cop is from the NYPD not Miami so it's all fake and they're still in
the films reality.
They try jumping out of the film by breaking the screen and they end up
in the living room of 3 Doctor Who fans who are characterised using
derogatory fake stereotypes of so-called nerds rather than in a positive
and intelligent manner. The male is wearing a Tom Baker scarf and one
of the females who might have said she was his mother, even though they
look more or less the same age, is wearing a Matt Smith fez. Doctor Who
fans are hear-bye ridiculed and demeaned with the pervert Russel T
Davies continuing his deranged attacks on the audience, because as we
found out from the previous episode RTD is an incel. *-3 marks*.
The fans make references to past episodes of Doctor Who trying to decide
which was their favourite. It's wasn't anything that Gatwa was in. *+3
marks*.
It seems the best episode was Blink. Why didn't they decide what was the
worst episode. I would have liked them to discuss Fear Her, since this
story uses exactly the same unbelievable idea of a cartoon character
coming to life.
The Scoobies, since Gatwa and Belinda had previously labelled themselves
after members of the Scooby gang, Velma and Fred, find out the fans are
not real, they're just fictional characters with only first names. Well
in that case what does that say about the Doctor who only has a first
name? Oh, and its Gatwa that decides he's Velma, and Belinda that
decides to be Fred. *-2 marks* for the degenerate woke lecturing and transgender virtue signalling.
Gatwa and Belinda go back into the TV screen again and are back in the
film. They break out by stopping the frame so that the heat from the
projectors lamp burns a hole in it which they emerge from. And this
works because? They said film burns earlier? So what? Why would that
release them? It's bullshit lazy writing. *-1 mark*.
Gatwa's hand got burned when the film burned so he uses some spare bi-generation energy to heal himself.
The cartoon notices this and sucks the energy out of Gawa to make itself
real. Why would regeneration energy make it real? How can the it suck
his energy out of him in the first place? This creature's powers and the
rules concerning them are not explained. Claiming it's a god isn't good
enough. This is bad lazy writing. *-4 marks*.
The cartoon can only be stopped by setting light to all the film to make
it explode and blow a hole in the wall to let in light. Except acetate
film which would have been the only film they had in the movie theatre
in 1952 doesn't explode. We've already been though this earlier so no
need to deduct any more marks.
The light from the sun that comes into the auditorium after the wall is
blown out makes the cartoon villain, whose name Lux means light, grow
bigger and bigger because he's made of it, until he fills the entire
universe and becomes God. This is an insult to Christians, Muslims,
Jews, Hindus and believers from every other religion alike. The message
is that God is nothing and has no power at all by filling the universe
and being diluted. *-1 mark*.
Instead of this idiotic contrivance why didn't the light just flood out
the light that Lux was made off, which is what I was expecting, thus
making him look virtually invisible in terms of contrast and bleaching
him out of existence? It was repeatedly stated he could never go
outside, so why was this point ignored?
All the people who were trapped in frames of film then appear coming out
of the movie plaza and embrace their loved ones. Why weren't they all
destroyed when the projectionist set all the film on fire? Why would
they automatically be released if Lux was no longer there? No explained.
Lazy writing. *-1 mark*.
Mrs Flood then appears outside the movie plaza after Gatwa and Belinda
have entered the TARDIS, and tells the crowd to look towards it to see
what will happen. They all think it dematerialising is some sort of
special effect and wonder how it was done.
So in total this episode scores 10 - 26 = -16 out of 10.
In the final scene the Doctor Who fans reappear and seem not to be
fictional after all.
Was RTD foreshadowing Doctor Who's cancellation since the fans seemed to
be suggesting that there was nothing to come after Gatwa?
If this is so, *+16 marks*!
Final score 0/10.
--
The True Doctor
https://www.youtube.com/channel/UCngrZwoS0n21IRcXpKO79Lw
"To be woke is to be uninformed which is exactly the opposite of what it
stands for." -William Shatner
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<p>I have watched the Season 2 episode "Lux" so that you don't have
to.</p>
<p>Just as you thought that you might be able to suspend your
disbelief at the cartoon stupidity in the opening scene and the
episode might be watchable after all, the pervert Ncuti Gatwa
shows his face and starts acting even more stupidly and
irrationally than the cartoon villain we are introduced to.</p>
<p>So a cartoon character, projected in a mostly empty film theatre
after the news reel in 1952, which appears to have been animated
in the style of the 1930s, comes to life and walks out of the
screen. Then it makes the entire audience disappear and turns them
into frames of film. Why? What is the cartoon villain's motivation
for doing this? Because they made it laugh? They didn't. Because
they laughed at it? They didn't do that either. No explanation is
given. Why does it want to do this to people? <b>-1 mark</b>. </p>
<p>Why does this entity exist in the first place? What gives it
life? Why is it supposed to be a god? No explanation. <b>-1 more
mark</b>.</p>
<p>The scene then cuts to Ncuti Gatwa and Belinda (the most Indian
name in existence) acting and behaving like imbeciles in an even
more unbelievable manner than the cartoon entity itself. Gatwa
still can't keep is accent consistent. <b>-1 mark</b>. Belinda
isn't an Indian name, it's Anglo Saxon or Italian, therefore there
is even less suspension of disbelief than for the cartoon coming
to life. <b>-1 more mark</b>. <br>
</p>
<p>Gatwa tires to get Belinda back to May 24, 2025 using some stupid
looking device he links to the TARDIS, but only manges to get her
to 1952 and needs to go outside to take some more measurements.
Gatwa is dressed like a 21st century pervert so he decides to put
on some 1950s clothing along with Belinda, and still looks like a
pervert. <b>-1 more mark</b> for Gatwa being dressed as a pervert
and acting and behaving like one. <br>
</p>
<p>They step out of the TARDIS with Gatwa's measuring device. He
takes his measurements, puts the device back inside the TARDIS,
and closes the door while remaining outside with Belinda, and here
comes the start of the degenerate woke lecturing that makes it
impossible to suspend your disbelief any further.</p>
<p>The involuntarily celibate pervert Russell T Davies can't resist
the chance to insert his gay agenda into the show and we have to
suffer a history lesson about how Rock Hudson the star of the main
feature at the movie theatre or plaza, they're not called cinemas
in the US, died of AIDS. Well he shouldn't have had unprotected
anal sex then, or anal sex at all, since it would have probably
ripped the condom apart even if he was wearing one. <b>-1 more
mark</b>.</p>
<p>Next the pair walk into a diner and find out that 14 people have
gone missing from the movie plaza (remember they don't have
cinemas in the US) but not before we are subjected to yet another
woke lecture on segregation in America in the 1950s. <b>-2 marks</b>.
I'm sick and tired of this sick woke degeneracy detracting from my
entertainment. <br>
</p>
<p>After all this degenerate woke lecturing they find out that only
the projectionist at the movie theatre didn't go missing and Gatwa
decides to break into the movie plaza where the projectionist has
set up camp for the last 3 months. Where does he go to eat? The
diner? Where is the money to pay for it come from if the movie
plaza is closed down and chained up? How does he get out of it if
they chains are on all the outward facing doors?</p>
<p>After encountering Gatwa and Belinda the projectionist shows them
a strip of film that the missing audience members have been turned
into the frames of, one by one.</p>
<p>Why wasn't the projectionist turned into a frame of film like the
rest of the people? Was it because he didn't laugh? He didn't make
the cartoon laugh? He was safe in the projection room? He
threatened to burn the film? Not explained. <b>-1 mark</b>.</p>
<p>Apparently he's staying in the movie theatre because the cartoon
entity which calls itself Lux has brought his dead wife back to
life from a reel of film. Why?</p>
<p>There's a conversation about film being flammable and exploding
which is factually inaccurate. Celluloid film was explosive
because it has the same ingredients as gunpowder and other
explosives, but this was replaced with acetate film in 1909 which
is less likely to burn and does not explode. Do a simple Google
search and get your facts right Russell T Davies when you try
using this false information as a major plot element later on. <b>-4
marks</b>. <br>
</p>
<p>The cartoon villain appears on stage, looks mostly human, has a
nose that looks like that of a pig, and is coloured blue which
Gatwa and Belinda comment on. Why does it look like this? Not
explained. Why comment on it then? This is obviously padding. <b>-1
mark</b>. <br>
</p>
<p>The cartoon keeps repeating don't make be laugh, don't make me
laugh, as if they mustn't. This makes no sense since they never
make it laugh or laughed themselves and yet Gatwa and Belinda are
turned into film cartoons by it. <b>-1 mark</b>. <br>
</p>
<p>They make themselves real again by telling each other more and
more truths about themselves? Why? How does that work? <b>-1 mark</b>.</p>
<p>But they're still trapped on the film and they try to escape the
film by moving the film up and down very fast. It fails. <br>
</p>
<p>A cop turns up with one of the women whose son is missing and we
are subjected to another woke lecture about racial segregation. <b>-1
mark</b>.</p>
<p>The cop is from the NYPD not Miami so it's all fake and they're
still in the films reality.</p>
<p>They try jumping out of the film by breaking the screen and they
end up in the living room of 3 Doctor Who fans who are
characterised using derogatory fake stereotypes of so-called nerds
rather than in a positive and intelligent manner. The male is
wearing a Tom Baker scarf and one of the females who might have
said she was his mother, even though they look more or less the
same age, is wearing a Matt Smith fez. Doctor Who fans are
hear-bye ridiculed and demeaned with the pervert Russel T Davies
continuing his deranged attacks on the audience, because as we
found out from the previous episode RTD is an incel. <b>-3 marks</b>.</p>
<p>The fans make references to past episodes of Doctor Who trying to
decide which was their favourite. It's wasn't anything that Gatwa
was in. <b>+3 marks</b>. <br>
</p>
<p>It seems the best episode was Blink. Why didn't they decide what
was the worst episode. I would have liked them to discuss Fear
Her, since this story uses exactly the same unbelievable idea of a
cartoon character coming to life. <br>
</p>
<p>The Scoobies, since Gatwa and Belinda had previously labelled
themselves after members of the Scooby gang, Velma and Fred, find
out the fans are not real, they're just fictional characters with
only first names. Well in that case what does that say about the
Doctor who only has a first name? Oh, and its Gatwa that decides
he's Velma, and Belinda that decides to be Fred. <b>-2 marks</b>
for the degenerate woke lecturing and transgender virtue
signalling. <br>
</p>
<p>Gatwa and Belinda go back into the TV screen again and are back
in the film. They break out by stopping the frame so that the heat
from the projectors lamp burns a hole in it which they emerge
from. And this works because? They said film burns earlier? So
what? Why would that release them? It's bullshit lazy writing. <b>-1
mark</b>. <br>
</p>
<p>Gatwa's hand got burned when the film burned so he uses some
spare bi-generation energy to heal himself.</p>
<p>The cartoon notices this and sucks the energy out of Gawa to make
itself real. Why would regeneration energy make it real? How can
the it suck his energy out of him in the first place? This
creature's powers and the rules concerning them are not explained.
Claiming it's a god isn't good enough. This is bad lazy writing. <b>-4
marks</b>.</p>
<p>The cartoon can only be stopped by setting light to all the film
to make it explode and blow a hole in the wall to let in light.
Except acetate film which would have been the only film they had
in the movie theatre in 1952 doesn't explode. We've already been
though this earlier so no need to deduct any more marks.</p>
<p>The light from the sun that comes into the auditorium after the
wall is blown out makes the cartoon villain, whose name Lux means
light, grow bigger and bigger because he's made of it, until he
fills the entire universe and becomes God. This is an insult to
Christians, Muslims, Jews, Hindus and believers from every other
religion alike. The message is that God is nothing and has no
power at all by filling the universe and being diluted. <b>-1
mark</b>.</p>
<p>Instead of this idiotic contrivance why didn't the light just
flood out the light that Lux was made off, which is what I was
expecting, thus making him look virtually invisible in terms of
contrast and bleaching him out of existence? It was repeatedly
stated he could never go outside, so why was this point ignored?</p>
<p>All the people who were trapped in frames of film then appear
coming out of the movie plaza and embrace their loved ones. Why
weren't they all destroyed when the projectionist set all the film
on fire? Why would they automatically be released if Lux was no
longer there? No explained. Lazy writing. <b>-1 mark</b>.</p>
<p>Mrs Flood then appears outside the movie plaza after Gatwa and
Belinda have entered the TARDIS, and tells the crowd to look
towards it to see what will happen. They all think it
dematerialising is some sort of special effect and wonder how it
was done.</p>
<p>So in total this episode scores 10 - 26 = -16 out of 10.</p>
<p>In the final scene the Doctor Who fans reappear and seem not to
be fictional after all. <br>
</p>
<p>Was RTD foreshadowing Doctor Who's cancellation since the fans
seemed to be suggesting that there was nothing to come after
Gatwa?</p>
<p>If this is so, <b>+16 marks</b>!</p>
<p>Final score 0/10.</p>
<pre class="moz-signature" cols="72">--
The True Doctor <a class="moz-txt-link-freetext" href="
https://www.youtube.com/channel/UCngrZwoS0n21IRcXpKO79Lw">https://www.youtube.com/channel/UCngrZwoS0n21IRcXpKO79Lw</a>
"To be woke is to be uninformed which is exactly the opposite of what it
stands for." -William Shatner</pre>
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