• YASFID strange color

    From Charles Packer@21:1/5 to All on Sun Apr 20 07:37:35 2025
    This news item about a "color no one has seen before" https://www.theguardian.com/science/2025/apr/18/scientists-claim-to-have- found-colour-no-one-has-seen-before
    (or https://tinyurl.com/3hmdzjmk )
    brought to mind a short story from no later than 1956 about something
    similar, except that, as I recall, it was an attribute of some
    kind of object.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Christian Weisgerber@21:1/5 to Charles Packer on Sun Apr 20 10:55:23 2025
    On 2025-04-20, Charles Packer <[email protected]> wrote:

    This news item about a "color no one has seen before" https://www.theguardian.com/science/2025/apr/18/scientists-claim-to-have- found-colour-no-one-has-seen-before
    (or https://tinyurl.com/3hmdzjmk )
    brought to mind a short story from no later than 1956 about something similar, except that, as I recall, it was an attribute of some
    kind of object.

    H.P. Lovecraft, "The Colour Out of Space"

    --
    Christian "naddy" Weisgerber [email protected]

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Scott Dorsey@21:1/5 to [email protected] on Sun Apr 20 10:03:20 2025
    In article <pan$8287b$9f14df55$976a4592$[email protected]>,
    Charles Packer <[email protected]> wrote:
    This news item about a "color no one has seen before" >https://www.theguardian.com/science/2025/apr/18/scientists-claim-to-have- >found-colour-no-one-has-seen-before
    (or https://tinyurl.com/3hmdzjmk )
    brought to mind a short story from no later than 1956 about something >similar, except that, as I recall, it was an attribute of some
    kind of object.

    The Colour From Out of Space by Lovecraft.
    --scott
    --
    "C'est un Nagra. C'est suisse, et tres, tres precis."

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul S Person@21:1/5 to Dorsey on Sun Apr 20 09:29:22 2025
    On Sun, 20 Apr 2025 10:03:20 -0400 (EDT), [email protected] (Scott
    Dorsey) wrote:

    In article <pan$8287b$9f14df55$976a4592$[email protected]>,
    Charles Packer <[email protected]> wrote:
    This news item about a "color no one has seen before" >>https://www.theguardian.com/science/2025/apr/18/scientists-claim-to-have-found-colour-no-one-has-seen-before
    (or https://tinyurl.com/3hmdzjmk )
    brought to mind a short story from no later than 1956 about something >>similar, except that, as I recall, it was an attribute of some
    kind of object.

    The Colour From Out of Space by Lovecraft.

    I don't normally do this but, as it happens, I recently saw a film
    based on the story that I really liked: <https://www.amazon.com/review/R3M5UVI9YLBC4D/ref=cm_cr_srp_d_rdp_perm?ie=UTF8>

    These films all face (or faced?) a similar problem: how do you show,
    on the silver screen, a color that is different from all known colors?
    --
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Christian Weisgerber@21:1/5 to Paul S Person on Sun Apr 20 17:52:11 2025
    On 2025-04-20, Paul S Person <[email protected]d> wrote:

    The Colour From Out of Space by Lovecraft.

    I don't normally do this but, as it happens, I recently saw a film
    based on the story that I really liked:
    <https://www.amazon.com/review/R3M5UVI9YLBC4D/ref=cm_cr_srp_d_rdp_perm?ie=UTF8>

    I may be missing something, but I can't find a way from the review
    back to the actual product, so I don't know which film you saw.
    The story has been adapted a number of times.

    If it's the one with Nicolas Cage from 2019 https://www.imdb.com/title/tt5073642/
    then that's the one I saw, too. It was done well.

    --
    Christian "naddy" Weisgerber [email protected]

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul Colquhoun@21:1/5 to Charles Packer on Mon Apr 21 16:42:41 2025
    On Sun, 20 Apr 2025 07:37:35 -0000 (UTC), Charles Packer <[email protected]> wrote:
    | This news item about a "color no one has seen before"
    | https://www.theguardian.com/science/2025/apr/18/scientists-claim-to-have-
    | found-colour-no-one-has-seen-before
    | (or https://tinyurl.com/3hmdzjmk )
    | brought to mind a short story from no later than 1956 about something
    | similar, except that, as I recall, it was an attribute of some
    | kind of object.


    OK, it doesn't meet the time or object requirements, but there is
    "The Colour of Magic" by Terry Pratchett. Said colour being Octarine.


    --
    Reverend Paul Colquhoun, ULC. http://andor.dropbear.id.au/
    Asking for technical help in newsgroups? Read this first:
    http://catb.org/~esr/faqs/smart-questions.html#intro

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul S Person@21:1/5 to [email protected] on Mon Apr 21 08:52:48 2025
    On Sun, 20 Apr 2025 17:52:11 -0000 (UTC), Christian Weisgerber <[email protected]> wrote:

    On 2025-04-20, Paul S Person <[email protected]d> wrote:

    The Colour From Out of Space by Lovecraft.

    I don't normally do this but, as it happens, I recently saw a film
    based on the story that I really liked: >><https://www.amazon.com/review/R3M5UVI9YLBC4D/ref=cm_cr_srp_d_rdp_perm?ie=UTF8>

    I may be missing something, but I can't find a way from the review
    back to the actual product, so I don't know which film you saw.
    The story has been adapted a number of times.

    If it's the one with Nicolas Cage from 2019 >https://www.imdb.com/title/tt5073642/
    then that's the one I saw, too. It was done well.

    Sorry 'bout that. I forgot it was a review that would normally be read
    in the context of the film itself. Had I been paying strict attention
    I would have identified the film.

    It is /The Curse/: <https://www.imdb.com/title/tt0092809/?ref_=nv_sr_srsg_7_tt_8_nm_0_in_0_q_The%2520curse>.

    The 2019 Cage film is the one I was thinking of as being done as a
    tragedy, as least it seemed so to me: I found the story of an honest
    farmer being destroyed tragic. Here, the characters are set up
    differently, and the horror comes to the fore. YMMV, of course.

    Please keep in mind that Lovecraft-related movies are often low-budget
    and frequently show it. Note the "For a Lovecraft film" qualifier in
    the review: this is better than most. It is not, however, at the level
    of /Re-Animator/. The 2019 Cage film probably had a bigger budget than
    this one, but the comparison between tragedy and horror still applies.
    As does my preference. But YMMV, of course.

    There is also an Italian B&W film (being B&W, it neatly sidesteps the
    "how do you show a color different from all known colors?" problem)
    which is about a young man trying to find out what happened to his
    father, who investigated the strange effects of a space rock falling
    on a farm. This is less tragic because it is told second-hand, as it
    were, but also more detached.
    --
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Scott Dorsey@21:1/5 to [email protected] on Mon Apr 21 15:12:24 2025
    Paul S Person <[email protected]d> wrote:
    On Sun, 20 Apr 2025 10:03:20 -0400 (EDT), [email protected] (Scott
    Dorsey) wrote:

    I don't normally do this but, as it happens, I recently saw a film
    based on the story that I really liked: ><https://www.amazon.com/review/R3M5UVI9YLBC4D/ref=3Dcm_cr_srp_d_rdp_perm?= >ie=3DUTF8>

    These films all face (or faced?) a similar problem: how do you show,
    on the silver screen, a color that is different from all known colors?

    You shoot it in black and white and rely entirely on the protagonist's
    verbal description.
    --scott
    --
    "C'est un Nagra. C'est suisse, et tres, tres precis."

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul S Person@21:1/5 to Dorsey on Tue Apr 22 08:23:05 2025
    On Mon, 21 Apr 2025 15:12:24 -0400 (EDT), [email protected] (Scott
    Dorsey) wrote:

    Paul S Person <[email protected]d> wrote:
    On Sun, 20 Apr 2025 10:03:20 -0400 (EDT), [email protected] (Scott
    Dorsey) wrote:

    I don't normally do this but, as it happens, I recently saw a film
    based on the story that I really liked: >><https://www.amazon.com/review/R3M5UVI9YLBC4D/ref=3Dcm_cr_srp_d_rdp_perm?= >>ie=3DUTF8>

    These films all face (or faced?) a similar problem: how do you show,
    on the silver screen, a color that is different from all known colors?

    You shoot it in black and white and rely entirely on the protagonist's
    verbal description.

    And I have seen an Italian version that did just that.

    But the other two mentioned on this thread were in color. B&W just
    isn't all that popular these days. Which is a pity, as many great
    films are B&W. Well, unless Turner got its hands on them ...

    IIRC, at least one film, intended to be shown B&W and so shown in the
    USA, was required by contract to be shot in color and shown in color
    in Europe. Apparently, their audiences are less tolerant than ours on
    this topic. The situation is reversed, or used to be, when it comes to subtitles. This is why some Anime films have been /advertised/ as
    "subtitled" -- both to warn those who can't handle them, and to
    attract afficionados who can.
    --
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Scott Dorsey@21:1/5 to [email protected] on Tue Jul 22 08:41:25 2025
    Paul S Person <[email protected]d> wrote:
    On Mon, 21 Apr 2025 15:12:24 -0400 (EDT), [email protected] (Scott
    Dorsey) wrote:

    Paul S Person <[email protected]d> wrote:
    On Sun, 20 Apr 2025 10:03:20 -0400 (EDT), [email protected] (Scott
    Dorsey) wrote:

    I don't normally do this but, as it happens, I recently saw a film
    based on the story that I really liked: >>><https://www.amazon.com/review/R3M5UVI9YLBC4D/ref=3D3Dcm_cr_srp_d_rdp_p= >erm?=3D
    ie=3D3DUTF8>

    These films all face (or faced?) a similar problem: how do you show,
    on the silver screen, a color that is different from all known colors?

    You shoot it in black and white and rely entirely on the protagonist's >>verbal description.

    And I have seen an Italian version that did just that.=20

    Do you have any info on where I could find it? I absolutely have to
    see that, and maybe I need to run it at Boskone too.
    --scott

    --
    "C'est un Nagra. C'est suisse, et tres, tres precis."

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul S Person@21:1/5 to Dorsey on Tue Jul 22 09:26:00 2025
    On Tue, 22 Jul 2025 08:41:25 -0400 (EDT), [email protected] (Scott
    Dorsey) wrote:

    Paul S Person <[email protected]d> wrote:
    On Mon, 21 Apr 2025 15:12:24 -0400 (EDT), [email protected] (Scott
    Dorsey) wrote:

    Paul S Person <[email protected]d> wrote:
    On Sun, 20 Apr 2025 10:03:20 -0400 (EDT), [email protected] (Scott >>>>Dorsey) wrote:

    I don't normally do this but, as it happens, I recently saw a film >>>>based on the story that I really liked: >>>><https://www.amazon.com/review/R3M5UVI9YLBC4D/ref=3D3Dcm_cr_srp_d_rdp_p= >>erm?=3D
    ie=3D3DUTF8>

    These films all face (or faced?) a similar problem: how do you show,
    on the silver screen, a color that is different from all known colors?

    You shoot it in black and white and rely entirely on the protagonist's >>>verbal description.

    And I have seen an Italian version that did just that.=20

    Do you have any info on where I could find it? I absolutely have to
    see that, and maybe I need to run it at Boskone too.

    This one, I think (the description matches -- well, except for the
    minor detail that it is German!

    <https://www.imdb.com/title/tt1756479/?ref_=nm_flmg_job_1_cdt_t_153>
    --
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Ted Nolan @21:1/5 to [email protected] on Tue Sep 2 02:50:28 2025
    In article <1095h0s$7ilg$[email protected]>,
    Robert Carnegie <[email protected]> wrote:
    On 21/04/2025 07:42, Paul Colquhoun wrote:
    On Sun, 20 Apr 2025 07:37:35 -0000 (UTC), Charles Packer ><[email protected]> wrote:
    | This news item about a "color no one has seen before"
    | https://www.theguardian.com/science/2025/apr/18/scientists-claim-to-have- >> | found-colour-no-one-has-seen-before
    | (or https://tinyurl.com/3hmdzjmk )
    | brought to mind a short story from no later than 1956 about something
    | similar, except that, as I recall, it was an attribute of some
    | kind of object.


    OK, it doesn't meet the time or object requirements, but there is
    "The Colour of Magic" by Terry Pratchett. Said colour being Octarine.

    Also not an answer, but the same author's title
    _The Light Fantastic_ refers to... I've forgotten
    where, how, and why it's described, but he offers
    a sort of un-light which is darker than darkness
    in the same way that light isn't. Or something
    like that. The wizard Rincewind is familiar
    with it.

    I think there must have been other stories with
    a colour not known on Earth, just as with strange
    chemical elements. In fact, science expects or
    observes that matter throughout the universe is
    the aame stuff that we already have - except for
    the famous dark matter, of course. However, there
    are real forms of light (infra-red, ultra-violet)
    that our eyes don't respond to. But our eyes don't
    respond to them.

    The obvious go-to here is Lovecraft's "The Colour Out Of Space", I think.

    Though of course your text brings to mind DC's infamous "infra-yellow".
    --
    columbiaclosings.com
    What's not in Columbia anymore..

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Bobbie Sellers@21:1/5 to Robert Carnegie on Mon Sep 1 20:16:34 2025
    On 9/1/25 18:24, Robert Carnegie wrote:
    On 21/04/2025 07:42, Paul Colquhoun wrote:
    On Sun, 20 Apr 2025 07:37:35 -0000 (UTC), Charles Packer
    <[email protected]> wrote:
    | This news item about a "color no one has seen before"
    | https://www.theguardian.com/science/2025/apr/18/scientists-claim-to-
    have-
    | found-colour-no-one-has-seen-before
    | (or https://tinyurl.com/3hmdzjmk )
    | brought to mind a short story from no later than 1956 about something
    | similar, except that, as I recall, it was an attribute of some
    | kind of object.


    OK, it doesn't meet the time or object requirements, but there is
    "The Colour of Magic" by Terry Pratchett. Said colour being Octarine.

    Also not an answer, but the same author's title
    _The Light Fantastic_ refers to...  I've forgotten
    where, how, and why it's described, but he offers
    a sort of un-light which is darker than darkness
    in the same way that light isn't.  Or something
    like that.  The wizard Rincewind is familiar
    with it.

    I think there must have been other stories with
    a colour not known on Earth, just as with strange
    chemical elements.  In fact, science expects or
    observes that matter throughout the universe is
    the aame stuff that we already have - except for
    the famous dark matter, of course.  However, there
    are real forms of light (infra-red, ultra-violet)
    that our eyes don't respond to.  But our eyes don't
    respond to them.

    Look to Lovecraft for colours out of space scarcely
    visible to human sight.

    bliss - Iia Cuthlu Fatagn

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul S Person@21:1/5 to [email protected] on Tue Sep 2 08:35:14 2025
    On Tue, 2 Sep 2025 02:24:42 +0100, Robert Carnegie
    <[email protected]> wrote:

    On 21/04/2025 07:42, Paul Colquhoun wrote:
    On Sun, 20 Apr 2025 07:37:35 -0000 (UTC), Charles Packer <[email protected]> wrote:
    | This news item about a "color no one has seen before"
    | https://www.theguardian.com/science/2025/apr/18/scientists-claim-to-have- >> | found-colour-no-one-has-seen-before
    | (or https://tinyurl.com/3hmdzjmk )
    | brought to mind a short story from no later than 1956 about something
    | similar, except that, as I recall, it was an attribute of some
    | kind of object.


    OK, it doesn't meet the time or object requirements, but there is
    "The Colour of Magic" by Terry Pratchett. Said colour being Octarine.

    Also not an answer, but the same author's title
    _The Light Fantastic_ refers to... I've forgotten
    where, how, and why it's described, but he offers
    a sort of un-light which is darker than darkness
    in the same way that light isn't. Or something
    like that. The wizard Rincewind is familiar
    with it.

    I think there must have been other stories with
    a colour not known on Earth, just as with strange
    chemical elements. In fact, science expects or
    observes that matter throughout the universe is
    the aame stuff that we already have - except for
    the famous dark matter, of course. However, there
    are real forms of light (infra-red, ultra-violet)
    that our eyes don't respond to. But our eyes don't
    respond to them.

    Others have mentioned (again, I suppose, as it was surely mentioned
    last April) "The Colour Out of Space" -- which people could see but
    which was no color previously known to man.

    Lovecraft, BTW, did not believe that physics was the same everywhere.
    At least when writing his stories, that is. That is why the aliens are
    so hard to describe. Or look at.

    This probably doesn't count as a "story", but a "trailer" stuck on one
    of my DVDs (I think, although, to be sure, a BD would make more sense)
    claims that, just as BDs produce more colors than DVDs, so 4K BDs
    produce still more. Presumably, they are talking about shades:
    slightly lighter or slightly darker reds, yellows, etc.

    After using my Naviskauto <https://www.amazon.com/dp/B076DVVBNR?ref=ppx_yo2ov_dt_b_fed_asin_title>
    for the second year, I finally watched a BD on it.

    I bought this for hot evenings when I wanted to keep my bedroom as
    cool (in the sense of, say, mid-80s rather than mid-90s) as possible.
    So it is only used a few evenings a year and, up to that point, only
    DVDs had been up for watching that evening.

    I have seen this BD on my normal equipment (ie, converted to S-Video)
    many times, yet I noticed no new colors. The Naviskauto had a full
    BD-capable screen, BTW.

    Contrast this with digital VHS versus analog VHS, where the difference
    was clear [1], or DVD vs VHS (when I got to the point where I was
    using composite video I was actually seeing the Wormsign on the older
    /Dune/ movie for the first time in a decade or more): when the
    difference is /real/, you can see it. When you can't see it, it isn't
    real.

    This is an example of Marketing run amok.

    [1] In at least one case, /Ben-Hur/, I found that the DVD
    digitally-mastered version looked exactly like the VHS
    digitally-mastered version it replaced. A lot of the visual
    improvement on DVDs is due to being digitally transferred. But the
    sound is better and, with normal packaging, I can store two DVD/BD
    discs in the space formerly occupied by one VHS tape.
    --
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Bobbie Sellers@21:1/5 to Paul S Person on Tue Sep 2 11:40:54 2025
    On 9/2/25 08:35, Paul S Person wrote:
    On Tue, 2 Sep 2025 02:24:42 +0100, Robert Carnegie
    <[email protected]> wrote:

    On 21/04/2025 07:42, Paul Colquhoun wrote:
    On Sun, 20 Apr 2025 07:37:35 -0000 (UTC), Charles Packer <[email protected]> wrote:
    | This news item about a "color no one has seen before"
    | https://www.theguardian.com/science/2025/apr/18/scientists-claim-to-have- >>> | found-colour-no-one-has-seen-before
    | (or https://tinyurl.com/3hmdzjmk )
    | brought to mind a short story from no later than 1956 about something
    | similar, except that, as I recall, it was an attribute of some
    | kind of object.


    OK, it doesn't meet the time or object requirements, but there is
    "The Colour of Magic" by Terry Pratchett. Said colour being Octarine.

    Also not an answer, but the same author's title
    _The Light Fantastic_ refers to... I've forgotten
    where, how, and why it's described, but he offers
    a sort of un-light which is darker than darkness
    in the same way that light isn't. Or something
    like that. The wizard Rincewind is familiar
    with it.

    I think there must have been other stories with
    a colour not known on Earth, just as with strange
    chemical elements. In fact, science expects or
    observes that matter throughout the universe is
    the aame stuff that we already have - except for
    the famous dark matter, of course. However, there
    are real forms of light (infra-red, ultra-violet)
    that our eyes don't respond to. But our eyes don't
    respond to them.

    Others have mentioned (again, I suppose, as it was surely mentioned
    last April) "The Colour Out of Space" -- which people could see but
    which was no color previously known to man.

    Lovecraft, BTW, did not believe that physics was the same everywhere.
    At least when writing his stories, that is. That is why the aliens are
    so hard to describe. Or look at.

    This probably doesn't count as a "story", but a "trailer" stuck on one
    of my DVDs (I think, although, to be sure, a BD would make more sense)
    claims that, just as BDs produce more colors than DVDs, so 4K BDs
    produce still more. Presumably, they are talking about shades:
    slightly lighter or slightly darker reds, yellows, etc.

    After using my Naviskauto <https://www.amazon.com/dp/B076DVVBNR?ref=ppx_yo2ov_dt_b_fed_asin_title>
    for the second year, I finally watched a BD on it.

    I bought this for hot evenings when I wanted to keep my bedroom as
    cool (in the sense of, say, mid-80s rather than mid-90s) as possible.
    So it is only used a few evenings a year and, up to that point, only
    DVDs had been up for watching that evening.

    I have seen this BD on my normal equipment (ie, converted to S-Video)
    many times, yet I noticed no new colors. The Naviskauto had a full
    BD-capable screen, BTW.

    Contrast this with digital VHS versus analog VHS, where the difference
    was clear [1], or DVD vs VHS (when I got to the point where I was
    using composite video I was actually seeing the Wormsign on the older
    /Dune/ movie for the first time in a decade or more): when the
    difference is /real/, you can see it. When you can't see it, it isn't
    real.

    This is an example of Marketing run amok.

    [1] In at least one case, /Ben-Hur/, I found that the DVD
    digitally-mastered version looked exactly like the VHS
    digitally-mastered version it replaced. A lot of the visual
    improvement on DVDs is due to being digitally transferred. But the
    sound is better and, with normal packaging, I can store two DVD/BD
    discs in the space formerly occupied by one VHS tape.

    Lovecraft's aliens are from other universes or times when the rules of nature have changed. Sometimes they communicate with humans via
    dreamlike visions and at the others the most malevolent are waiting for the chance to be freed from containment and the star stones are a means to
    force them back. But when the stars are right for the ancient god-like monsters they will return and we won't like it at all.

    bliss

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    * Origin: fsxNet Usenet Gateway (21:1/5)